A Quote by Daniel Day-Lewis
I made the film in spite of Harvey, not because of Harvey.
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I always thought that the film would be successful if we captured Harvey Milk, like the way Harvey really was-the personality, the humor, the corny bad jokes, all of it.
As the entertainment industry became more corporate and MBA-driven, Harvey Weinstein remained an unreconstructed specimen of the worst and most compelling character traits of a truer Hollywood. Harvey, and in a sense only Harvey, continued to embody the Hollywood self.
I went to see Harvey again in Fiddler. Harvey's throat is getting better.
I worked on the Harvey Weinstein-produced 'The Great Raid,' where I warned a young co-star not to take Harvey up on his invitations to drinks unless the whole group was there.
If you'd asked me then if I saw how big 'The Steve Harvey Morning Show' was going to be, I couldn't tell you. But I knew I could reach people not as a character but as Steve Harvey, because although I tell jokes for a living, I've also lived, and I think I can relate to you more than you know.
If you'd asked me then if I saw how big "The Steve Harvey Morning Show" was going to be, I couldn't tell you. But I knew I could reach people not as a character but as Steve Harvey, because although I tell jokes for a living, I've also lived, and I think I can relate to you more than you know.
Harvey Weinstein bought our film, and he's an animal. He's got us out there campaigning and everything because honestly it's a silent black-and-white film.
If 'Jingle Belle' harkens back to anything, it's sort of the Harvey Comics. Not really 'Archie,' but more of a teenage version of what Harvey Comics would have become, with the type of fantasy wonderland of her and her various friends.
I have done scenes as Harvey Two-Face. It's interesting. I won't tell you exactly what we're going for, but I think that I can say that it will use all of today's technology to create this character. He's going to be interesting, and I think that's what makes this character important in the movie-you get to see him as he was before, as in the comic books. Harvey is a very good guy in the comic books. He's judicious. He cares. He's passionate about what he loves and then he turns into this character. So you will see that in this film.
I learned some big lessons on my first film, a horror film which was never released in the U.S., even though we sold it to Harvey Weinstein for a lot of money.
The film you know as 'Super Troopers' is a film that almost didn't happen. The script was originally commissioned and developed by Miramax, but when it failed to get a green light, Harvey Weinstein was kind enough to give it back to us so we could make it elsewhere.
I met Lee Harvey Oswald, in Moscow just after he defected. One night I was having dinner with a friend, an Italian newspaper correspondent, and when he came by to pick me up he asked me if I'd mind going with him first to talk to a young American defector, one Lee Harvey Oswald. Oswald was staying at the Metropole, an old Czarist hotel just off Kremlin Square.
They say now in America that final cut doesn't mean anything. As Harvey Weinstein said to some film-maker, 'You can have final cut. I'll open your film in Arkansas.'
Coy Nature, (which remain'd, though aged grown,
A beauteous virgin still, enjoy'd by none,
Nor seen unveil'd by anyone),
When Harvey's violent passion she did see,
Began to tremble and to flee;
Took sanctuary, like Daphne, in a tree:
There Daphne's Lover stopped, and thought it much
The very leaves of her to touch:
But Harvey, our Apollo, stopp'd not so;
Into the Bark and Root he after her did go!
I've made my own music, and the way I've always described it is Peggy Lee with an electric guitar, or Billie Holiday with some PJ Harvey in there.
Harvey was not content merely to gather knowledge; he digested and arranged it under the guidance of the faculties which compare and reason. ... Harvey appears to have possessed, in a remarkable degree, the power of persuading and conciliating those with whom he came in contact. In the whole course of his long life we hear nothing either of personal enemies or personal enmities ... one of the great men whom God, in virtue of his eternal laws, bids to appear on earth from time to time to enlighten, and to ennoble mankind.
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