A Quote by Daniel Day-Lewis
Being at the centre of a film is a burden one takes on with innocence the first time. Thereafter, you take it on with trepidation.
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Knowledge is a burden if it robs you of innocence. Knowledge is a burden if it is not integrated into life. Knowledge is a burden if it doesn't bring joy. Knowledge is a burden if it gives you an idea that you are wise. Knowledge is a burden if it doesn't set you free. Knowledge is a burden if it makes you feel you are special.
We were so limited on time for 'No Burden' that we didn't get to overthink anything. There was no going for the perfect take, or even going for three takes. It was kind of nice because what you're hearing is our first impulse.
I know some players like being the centre of attention and I admit that when I first became a player I liked fame, too. But that feeling lasted only for three months. Then I realised what it was really like to be the centre of attention all the time. It isn't all good.
I can sing very comfortably from my vantage point because a lot of the music was about a loss of innocence, there's innocence contained in you but there's also innocence in the process of being lost.
The quality of artistry is the capacity to assume innocence at will, the quality of experiencing innocence as if for the first time.
'Podaa Podi' is a film that sees Simbu and Varalakshmi in three phases of life. Thus this film of course takes more time to wrap than usual flicks. The film is entirely being shot in London and we require to shoot it only during a particular season as the script demands it.
The winter oak... is very useful in buildings but when in a moist place it takes in water to its centre... and so it rots. The Turkey oak and the beech both... take in moisture to their centre and soon decay. White and black poplar, as well as willow, linden, and the agnus castus... are of great service from their stiffness... they are a convenient material to use in carving.
I'm planning some films in the U.K., and it will have pros and cons. It takes a lot more time to set up a film in the U.K., because you can't rely on much. In Greece, friends show up and bring what they can and you make the film. Well, that's a bit simpler than how it really is. But when you make a film with proper industries, it takes more time to synch all these things.
Only when you lift a burden, God will lift your burden. Divine paradox this! The man who staggers and falls because his burden is too great can lighten that burden by taking on the weight of another's burden. You get by giving, but your part of giving must be given first.
You can probably ask any actor: every time you start a new film, it's literally like your first movie. Everyone, regardless of the filmmaker being a debutant or a veteran, takes their time to settle down when you begin the shoot together. It's like all of us have moved into a new house, and we are setting up the place.
If you don't come from film family, it takes time for people to register you. When you don't come from film family, the connection with the audience takes time to build up; it happens eventually.
I started as a fourth-line fighter, went to being a third-line centre, then a second-line winger and a first-line centre. I've played every role there is, and the only thing that matters is helping the team win.
The person who takes power will never be happy with those things they gain. They have lost their essential balance and innocence. And without innocence, nothing can further, as they say in the I Ching.
Nuclear scientists lost their innocence when we used the atom bomb for the very first time. So we could argue computer scientists lost their innocence in 2009 when we started using malware as an offensive attack weapon.
I am humble. It was an honor, and I cried the first time I saw the film His Way. Because to have people of that caliber, like Julia Roberts, take the time to sit down and give a day or two of their lives to a film about me, that they're not getting paid for, is pretty extraordinary.
The innocence of those who grind the faces of the poor, but refrain from pinching the bottoms of their neighbour's wives! The innocence of Ford, the innocence of Rockefeller! The nineteenth century was the Age of Innocence--that sort of innocence. With the result that we're now almost ready to say that a man is seldom more innocently employed than when making love.
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