A Quote by Daniel Day-Lewis
Films exhaust me, they do, and I often want nothing more to do with them, but I'm continually surprised at the resurgence of the impulse to come back and do it all over again.
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My daughter loves to be surprised. And she loves to surprise me. She loves to create games where either one or both of us are surprised, or go away, and then come back. And she loves to play them over and over, and over again. The combo is familiar. Go away. Come back. Surprise! She is only two. I better get used to this.
Disassemble the cells of a sponge (by passing them through a sieve, for instance), then dump them into a solution, and they will find their way back together and build themselves into a sponge again. You can do this to them over and over, and they will doggedly reassemble because, like you and me and every other living thing, they have one overwhelming impulse: to continue to be.
We photographers deal in things which are continually vanishing, and when they have vanished there is no contrivance on earth can make them come back again. We cannot develop and print a memory.
In my films, I like to use the same actors again and again, so I know them really well and can bring their unique personalities into the process. However, as a director, I have strict control over the way they express their personalities. I don't want them to go beyond what I need from them, but I also don't want them to underplay. So I modulate their performances very closely, within a certain range of expression.
Exceed your customer's expectations. If you do, they'll come back over and over. Give them what they want - and a little more.
Photographers deal in things which are continually vanishing and when they have vanished there is no contrivance on earth which can make them come back again.
I want my films to do the talking. I feel if people have to understand me better, I should do more good films. I just want them to know me through my films.
I want the Wallwalker in the back of consumers' minds, but not actively thought about. When it returns, they'll react, 'Oh, there they are!' and they'll buy them again as impulse items.
And some day there will be nothing left of everything that has twisted my life and grieved it and filled me so often with such anguish. Some day, with the last exhaustion, peace will come and the motherly earth will gather me back home. It won't be the end of things, only a way of being born again, a bathing and a slumbering where the old and the withered sink down, where the young and new begin to breathe. Then, with other thoughts, I will walk along streets like these, and listen to streams, and overhear what the sky says in the evening, over and over and over.
No," said Simon. "I know we're not much compared to you, but we don't kill our friends. We try to save them. If Heaven didn't want it that way, we ought to have been given the ability to love." He shoved his hair back, baring the Mark more fully. "No, you don't need to help me. But if you don't, there's nothing stopping me from calling you up again and again, now that I know you can't kill me. Think of it as me leaning on you Heavenly doorbell... forever.
If I had my life to live over again, I would have waxed less and listened more. ... I would have cried and laughed less while watching television ... and more while watching real life. ... But mostly, given another shot at life, I would seize every minute of it ... look at it and really see it ... try it on ... live it ... exhaust it ... and never give the minute back until there was nothing left of it.
As soon as I leave the world [of the show], I want to turn around and come back. That's how real it is. As soon as I leave the theater I want to wake up and come back the next day and do it all over again. It's that much fun.
I want to go to Heaven, and I don't want to come back. I don't wanna come back and be a baby, and be a teenager again. Oh my God, no! No, I don't want to be a teenager again. It's too awkward.
There is nothing more humanly beautiful than a woman's breasts. Nothing more humanly beautiful, nothing more humanly mysterious than why men should want to caress, over and over again, with paintbrush or chisel or hand, these oddly curved fatty sacs, and nothing more humanly endearing than our complicity (I mean the complicity of women) in their obsession.
There are films that I've made that I like a little bit more than the others. But the films that I mostly watch, and see over and over again, are not my own.
I enjoy the making of the film and it's something for me to do. If nobody ever comes to my films, if people don't want to give me money to make films, that will stop me. But as long as people come all over the world and I have an audience and I have ideas for films, I will do them for as long as I enjoy the process. And I like the whole process of making a film.
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