A Quote by Daniel Day-Lewis

I'd always felt very strongly in the power of vocation. — © Daniel Day-Lewis
I'd always felt very strongly in the power of vocation.
It is not sociologists who provide insights but photographers of our sort who are observers at the very center of their times. I have always felt strongly that this was the photographer's true vocation.
I felt very strongly the whole social impact of that depression, you know, and I felt very strongly about the efforts that this Resettlement Administration was trying to accomplish; resettling people, helping them, and so on.
I'd always been a news junkie, always read lots of newspapers and watched the Sunday morning news shows on TV and felt strongly about issues of power, control, sexuality and race.
Girls seemed to like artists! I felt very drawn to the idea of power, really, and doing painting as a power trip, in a sense. This idea of power has always driven me.
I felt like the last record was a real step forward for us. I was very pleased to see some people saying the same things - that it was a real departure, that it was much more individual, that it sort of a power of its own. I really did feel those things very strongly, it's our most realized record.
I've always felt that if one was going to take seriously this vocation as an artist, you have to get beyond that decorative facade.
I've always felt that if one was going to take seriously this vocation as an artist, you have to get beyond that decorative facade
At the very beginning of my career I felt very strongly about what type of artist I wanted to be.
I've always felt very strongly about human rights for blacks, women, and gays. Our Constitution is about equality for all - that's got to mean something to all of us.
I've always felt writing is an art. Publishing is a business. I felt strongly if I was going to write, I would write what I wanted to, and if the 'market' didn't respond, there was nothing I could really do about it.
I remember, when I was young, to have a literary or artistic vocation was really dramatic because you were so isolated from the common world. You felt that you were marginal, and if you dared to try to organise your life around your vocation, you knew you'd be completely segregated.
I always considered myself bi-racial, because I didn't want to disconnect from either side, and I felt very strongly about that. Now, I understand that the world sees me as a black woman, a person of color, and I'm okay with that.
I have always felt an excellent rapport ever since my very first concert in Britain at Hampton Court. I have always felt understood. The British understand opera very well.
The fact is popular art dates. It grows quaint. How many people feel strongly about Gilbert and Sullivan today compared to those who felt strongly in 1890?
I feel very strongly about the legacy of Ghost and I'm the next part of that chapter and hopefully a very long and continuing story through the franchise of Ghost in the Shell which is already a huge universe. So yes, I felt pressure, but you always feel pressure as an artist creatively in any endeavour you do, so you just have to do the best that you can do and then hope that is successful.
I'm Roman Catholic and I believe very strongly in the power of prayer.
This site uses cookies to ensure you get the best experience. More info...
Got it!