A Quote by Daniel Dennett
Sometimes you don’t just want to risk making mistakes; you actually want to make them - if only to give you something clear and detailed to fix.
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I don't want to give any advice to a 19-year-old, because I want a 19-year-old to make mistakes and learn from them. Make mistakes, make mistakes, make mistakes. Just make sure they're your mistakes.
You have to have the kind of personality where you're resilient and you can get up and keep moving and learn what there is. What I tell my employees is, 'I want you to make mistakes. If you're not making mistakes, you're not trying hard enough. But, when we make a mistake, let's all study it. Let's all learn from it. After that, we want to make different mistakes. We don't want to keep making the same mistakes.'
If I had to give you one piece of advice, it would be this: don’t be intimidated by other people’s opinions. Only mediocrity is sure of itself, so take risks and do what you really want to do. Seek out people who aren’t afraid of making mistakes and who, therefore, do make mistakes. Because of that, their work often isn’t recognized, but they are precisely the kind of people who change the world and, after many mistakes, do something that will transform their own community completely.
People say they want to be in risky environments and do all kinds of exciting stuff. But they don't actually know what risk means: that risk actually does bring failure and mistakes.
And I just think that if you believe in something and you want it so much and you're not hurting anyone else, you have to go for it. Which sometimes means taking a risk, even if it's scary. But the thing you want most to happen doesn't stand a chance unless you give it one.
If I have something to apologize, I want to be the first one to step up and make that apology. I don't want anyone to broker it for me. I don't want anyone to take the hit for me. If I have anything to apologize for, I'm only human. I'm prone to making mistakes.
There's nothing wrong with making mistakes, just don't make the same ones. We don't want to duplicate them.
By the time they get to 6th grade honor roll students won't risk making a mistake, and sometimes to be successful, you have to risk making mistakes.
Give people, including yourself, clear permission to make mistakes . . . and to fix the problems. Since nobody's perfect, mistakes should be allowed. Cover-ups shouldn't. Cover-ups create twice the trouble.
Sometimes you really make bad mistakes, and you want to go back and just erase them.
Just don't pollute something that's not dirty. I want my kids to be happy and I want them to be themselves. I was saying to a friend the other day, 'Remember, our kids are not us.' They're not. Sometimes we're trying to fix things that happened to us or projecting [onto them], and that's a terrible, terrible trap.
Give users what they actually want, not what they say they want. And whatever you do, don't give them new features just because your competitors have them!
If you want to make pictures and enjoy making them, you better go out and make something that a lot of people want to see. And then they'll turn you lose and let you make what you want. And then maybe you can do some of the things that you want to do. But as a beginner, you haven't got a chance.
It's not a very sane thing to try to be great all the time. You want to make something magical; you want to make something wonderful; you want to give to everybody; you want to heal people; you want to still be inspired. That's not easy.
Making fiction for children, making books for children, isn't something you do for money. It's something you do because what children read and learn and see and take in changes them and forms them, and they make the future. They make the world we're going to wind up in, the world that will be here when we're gone. Which sounds preachy (and is more than you need for a quotebyte) but it's true. I want to tell kids important things, and I want them to love stories and love reading and love finding things out. I want them to be brave and wise. So I write for them.
Loneliness is a hard thing to handle. I feel it, sometimes. When I do, I want it to end. Sometimes, when you're near someone, when you touch them on some level that is deeper than the uselessly structured formality of casual civilized interaction, there's a sense of satisfaction in it. Or at least, there is for me. It doesn't have to be someone particularly nice. You don't have to like them. You don't even have to want to work with them. You might even want to punch them in the nose. Sometimes just making that connection is its own experience, its own reward.
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