A Quote by Daniel Dennett

Churches have given us great treasures such as music and architecture. Whether that pays for the harm they have done is another matter. — © Daniel Dennett
Churches have given us great treasures such as music and architecture. Whether that pays for the harm they have done is another matter.
The thing I love about Rome is that is has so many layers. In it, you can follow anything that interests you: town planning, architecture, churches or culture. It's a city rich in antiquity and early Christian treasures, and just endlessly fascinating. There's nowhere else like it.
When we come to understand architecture as the essential nature of all harmonious structure we will see that it is the architecture of music that inspired Bach and Beethoven, the architecture of painting that is inspiring Picasso as it inspired Velasquez, that it is the architecture of life itself that is the inspiration of the great poets and philosophers.
No sin, especially no great sin, is just a harm done to the individual who commits it. I believe myself that the future of the human race is bound up with that idea. The soul that is conscious of a grievous sin is conscious of a great harm done to the community - to someone else. That common hurt should now be forgiven.
It doesn't matter whether they [beloved ones] are on this planet or not on this planet anymore. Once something is bound by love, as long as that love exists, there is nothing that can separate us. There is the appearance of separation, but the heart, it always treasures and values that.
Half-instructed confessors have done my soul great harm; for I could not always have such learned ones as I would have desired. They certainly did not wish to deceive me, but the fact was that they knew no better. Of something which was a venial sin, they said it was no sin, and out of a very grave mortal sin they made a venial sin. This has done me such harm, that my speaking here of so great an evil, as a warning to others, will be readily understood.
[Grace] is given not to make us something other than ourselves but to make us radically ourselves. Grace is given not to implant in us a foreign wisdom but to make us alive to the wisdom that was born with us in our mother?s womb. Grace is given not to lead us into another identity but to reconnect us to the beauty of our deepest identity. And grace is given not that we might find some exterior source of strength but that we might be established again in the deep inner security of our being and in learning to lose ourselves in love for one another to truly find ourselves.
There’s a real question as to what beauty is and why it’s important to us. Many pseudo-philosophers try to answer these questions and tell us they’re not really answerable. I draw on art and literature, and music in particular, because music is a wonderful example of something that’s in this world but not of this world. Great works of music speak to us from another realm even though they speak to us in ordinary physical sounds.
Whatever harm the evil may do, the harm done by the good is the most harmful harm.
Half of the harm that is done in this world is due to people who want to feel important. They don't mean to do harm. But the harm does not interest them.
Take the sum of human achievement in action, in science, in art, in literature subtract the work of the men above forty, and while we should miss great treasures, even priceless treasures, we would practically be where we are today ... The effective, moving, vitalizing work of the world is done between the ages of twenty-five and forty.
One my favorite things is to go to the provinces of Russia and see the 18th century wood churches with the onion dome architecture. These humble wonders of incredible imagination of architects that were obviously not living in places like Paris or London, but they've created these amazing churches.
I was going to be an architect. I graduated with a degree in architecture and I had a scholarship to go back to Princeton and get my Masters in architecture. I'd done theatricals in college, but I'd done them because it was fun.
Architecture produces a musical mood in our inner being, and we notice that even though the elements of architecture and music appear to be so alien in the outer world, through this musical mood engendered in us, our experience of architecture brings about a reconciliation, a balance between these two elements.
I was drawn to love songs, but I was just drawn to great music - no matter if it's hip-hop, pop, R&B or whether it's rock n' roll or country. It could be a Garth Brooks song, and if it's a smash, then I'll love the different wordplay and different melodies. That's what I'm a fan of - great music.
Satan promises the best, but pays with the worst; he promises honor, and pays with disgrace; he promises pleasure, and pays with pain; he promises profit, and pays with loss, he promises life, and pays with death. But God pays as he promises; all his payments are made in pure gold.
Mostly, I'm drawn to great characters and great worlds that use weird things for their language - whether it's dance, whether it's pop music with Justin Bieber, or whether it's magic.
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