A Quote by Daniel Ek

We are passionate about making it so that users enjoy the music that they want to enjoy but at the same time fairly compensates artists. That's not the same as saving the music industry.
When I started making music, I wanted to enjoy it and make others enjoy it. But it's just music. I am not saving the world.
I think most micro-brewers/craft-brewers are similar in that they enjoy making something themselves and at the end of the day they can enjoy the fruit of their labor. Most people really enjoy the process of making beer and like the industry as a whole. We often are passionate about what we do and enjoy talking to people about the art and science of making beer.
The music industry itself is changing so quickly, that everything new, like Spotify, all feels to me a bit like a grand experiment. And I’m not willing to contribute my life’s work to an experiment that I don’t feel fairly compensates the writers, producers, artists, and creators of this music. And I just don’t agree with perpetuating the perception that music has no value and should be free.
I have been in the music industry ever since I was six years old. I have been inspired by so many great artists and of course trying to be original at the same time. I try not to work under boundaries while I'm making music.
I think the most important thing is that I'm making music that the people enjoy. So the fans, the people that are out there listening to music and consuming music, I want them to enjoy it and love it. And so that's more important to me than Grammys.
Artists who are passionate about their music and in love with their art go independent because they want to continue making music and serving it to the world.
As an architect, you have to provide a shelter to enjoy art. And you have to love art. It's like when you make a concert hall. You must love music. This is the reason why you make the space, to enjoy music - making a space for art is the same thing.
I think downloading is both saving and killing the music industry at the same time.
At every concert I leave a lot to the moment. I must have the unexpected, the unforeseen. I want to risk, to dare. I want to be surprised by what comes out. I want to enjoy it more than the audience. That way the music can bloom anew. It's like making love. The act is always the same, but each time it's different.
I wasn't making music for the sake of music but rather making music in the context of other music. At the same time, it doesn't mean I'm not going to try and do that some day.
The dilemma of the eighth-grade dance is that boys and girls use music in different ways. Girls enjoy music they can dance to, music with strong vocals and catchy melodies. Boys, on the other hand, enjoy music they can improve by making up filthy new lyrics.
I am passionate about music - and people think because I go to places where I can enjoy music I have to be partying. It isn't true.
I enjoy touring. I enjoy recording the music, I enjoy dreaming it and I enjoy performing it. I also definitely enjoy selling it, because I like to eat.
You have to enjoy playing. The old-timers did, and that's one reason why their music is a lasting music. I feel that I play jazz to entertain the listener, and you just can't do that unless you yourself are entertained at the same time.
I feel like that's so important, to enjoy my own music. Because if I'm not passionate about my music, then it's going to show to the fans.
Jazz goes into folk music, into rock music. Jazz is in practically everything except classical music where they're reading the same music all the time, the same way, the same tempo every night.
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