A Quote by Daniel Farke

You have to bring this ball over this line and into this rectangle. It is not like synchronised swimming, where you are judged by your unbelievably beautiful performance.
I think I'd struggle to get excited by synchronised swimming.
To me synchronised swimming is a metaphor for the job of being a girl. They have to fake their smiles, they're made up like dolls and they can't show the effort they're making, yet under the surface of the water it's a struggle and a sacrifice.
One really beautiful wrist motion, that is synchronised with your head and heart, and you have it. It looks as if it were born in a minute.
When synchronised swimming first appeared on TV, we laughed very heartily, and I, for one, applauded the decision to introduce humour into the Olympics.
Sport doesn't know barriers, really. You are judged on your performance... how far you can jump, how fast you can run, how well you can hit a tennis ball.
In most sports they have a physical effect on your performance, in swimming only psychological. If you worry about what your rival is doing, you take your mind off what you are doing and so fail to concentrate on your performance.
In my mind, I see a line. And over that line, I see green fields and lovely flowers and beautiful, white women with their arms stretched out to me over that line, but I can't seem to get there no how. I can't seem to get over that line.
You should never get set over the ball and then aim your putter face. If you do it in that order, you can easily lose sight of your intended line. Instead, aim the face down your line first, then settle your body into position.
I don't understand why we have to experiment with film. I think everything should be done on paper. A musician has to do it, a composer. He puts a lot of dots down and beautiful music comes out. And I think that students should be taught to visualize. That's the one thing missing in all this. The one thing that the student has got to do is to learn that there is a rectangle up there - a white rectangle in a theater - and it has to be filled.
I like mantras and repeating things, like in pop music, where you repeat a line over and over again. It's just so beautiful.
In my dreams and visions, I seemed to see a line, and on the other side of that line were green fields, and lovely flowers, and beautiful white ladies, who stretched out their arms to me over the line, but I couldn't reach them no-how. I always fell before I got to the line.
As the skipping rope hit the pavement, so did the ball. As the rope curved over the head of the jumping child, the child with the ball caught the ball. Down came the ropes. Down came the balls. Over and over again. Up. Down. All in rhythm. All identical. Like the houses. Like the paths. Like the flowers
Bottom line is, if you turn the ball over to a team that isn't as good, you then have brought them up to your level.
Also it'll be unbelievably cold in there and the thing I'm probably most worried about is my face. That sounds silly but it's very difficult, if you're in cold temperature water, to get your head under because it takes your breath away. And then your hands go numb so you try and wriggle your fingers while swimming to warm up. It's very tough.
Anything I do, I do with 110 percent. Right now, my biggest goal is the 2016 Olympics. My main focus is that. But after the sport of swimming-when it's all said and done-I want to get involved in fashion. I want to design my own clothing line. I'm very into fashion. It's something I really want to focus on when swimming is over.
In tennis the addict moves about a hard rectangle and seeks to ambush a fuzzy ball with a modified snow-shoe.
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