A Quote by Daniel Goldstein
I was creating commitment devices of my own long before I knew what they were. So when I was a starving post-doc at Columbia University, I was deep in a publish-or-perish phase of my career. I had to write five pages a day towards papers, or I would have to give up five dollars.
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One thing that helps is to give myself permission to write badly. I tell myself that I'm going to do my five or 10 pages no matter what, and that I can always tear them up the following morning if I want. I'll have lost nothing-writing and tearing up five pages would leave me no further behind than if I took the day off.
I write five pages a day. If you would read five pages a day, we'd stay right even.
I used to be able to write five pages a day, every day, no problem. Now a good day is five or four pages, and that's from 9:30 A.M. until 6 P.M.
When I start a book, I write a minimum of five pages every day, except weekends. If I'm going on a ski trip, I take my computer with me, get up at six, do my five pages, and then go skiing.
I was a journalist. I was a drummer. I was everything. I didn't know what the heck I was. But with Jack Paar, the job was very specific - no confusion. You came in each day. You wrote five pages of jokes. You handed the pages in... The pressure was to write five pages of jokes every day. I did it, and I thought, 'This is what I like to do.'
I remember I had a low point when I was working on a soap opera, 'General Hospital,' five years ago. It was my first real job, and it was so overwhelming. You would work five days a week and have to learn sometimes up to 30 pages of new dialogue a night, then have one take to shoot it all, the next day.
I find that when people get a script, they know within five pages if the writer can write. Once you're five pages in, it doesn't matter whose name is on the cover, you're not even thinking about it.
So I thought I should write five pages a day. And that's what I did. Eventually I had a book.
Throughout my early career, I would write from five to ten in the morning every day before going to my office, a habit that has stayed with me since.
I would rather five people knew my work and thought it was good work than five million knew me and were indifferent.
They held up 'The Outlaw' for five years. And Howard Hughes had me doing publicity for it every day, five days a week for five years.
Statesmen exhibit five key commitments: 1) A commitment to principles above politics; 2) An ability to compromise without abandoning principle; 3) A commitment to truth over spin; 4) A commitment to courage over cowardice; and 5) A commitment, or willingness, to give up power.
I'm so used to artists saying to me, "Listen, I'm going to have five pages done next week," and then three weeks later I'm phoning them, begging them for two pages. And Stuart [Immonen]is a guy who will promise you five pages and deliver six pages, and the six pages are even better than you could have ever imagined.
I gave up tennis to study, but not before it had shown me how to focus and concentrate. It taught me self-discipline: I was playing four or five hours a day and doing five-mile runs. When I stopped, my energy had to be channelled into something else.
If people are going to give, they're going to give. And it doesn't matter if you give a dollar or five dollars or a hundred dollars or a million dollars; it's all according to your ability.
I never was one to go into an office and write. For one thing, I had a job. I was cleaning the ashtrays and setting up the studios at Columbia for a couple of years and working every other week down in the Gulf of Mexico flying helicopters. I didn't really get to just write songs for about five years.
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