A Quote by Daniel H. Pink
What is interesting is that John Lewis actually got interested initially in the civil rights movement because of a comic book. So part of it, he's paying homage to this tradition that you can tell serious stories and talk about serious issues in graphic form.
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"March" was inspired by "Martin Luther King and the Montgomery Story." I actually first heard about that comic from John Lewis, who told me that it played an important role in the movement. And so once he told me about that, it made me start thinking, "Well, why doesn't John Lewis write his own comic book?".
It was not until the civil rights movement of the 1950s and '60s that Congress got serious about the assignment laid out in the post-Civil War amendments.
Black women fought for the right to vote during the suffrage movement and fought again during the civil rights movement. The rote narrative in the press of the civil rights movement is truncated with the briefest of histories of men like Martin Luther King Jr., Jesse Jackson, or John Lewis.
Famous crime stories almost always lead to the passing of new laws. There's a great many intersections between this unseemly tabloid phenomena and serious social issues and we never get to that intersection because serious people don't like to talk about that unattractive stuff.
The hard part about writing about a guy like John Brown is that he was so serious, and his cause was so serious, that most of what's been written about him is really serious and, in my opinion, a little bit boring.
Looking back, I do think one of the reasons 'Thirteen Reasons Why' has been so successful is not because it deals with serious issues but because I had a unique and interesting way to tell that story. I knew the issues were going to be dealt with in the book, but I felt my job was to write the story as entertainingly as possible.
Eventually [black men] are arrested, whether they've committed any serious crime or not, and branded criminals or felons for life. Upon release, they're ushered into a parallel social universe in which the civil and human rights supposedly won during the Civil Rights Movement no longer apply to them.
In college, I got interested in news because the world was coming apart. The civil rights movement, the antiwar movement, the women's right movement. That focused my radio ambitions toward news.
[Democrats] are not handling the John Lewis flap the right way, clearly. John Lewis is a hero and a civil rights hero.
I think my style changes somewhat. The themes I am interested in exploring are mostly the same, but I tackle them differently. My Younguncle books are at the surface comic adventures of the eccentric title character but they are also serious beneath the fun and frolic. And I use Big Words, like "ambrosial," which bothers some children's book reviewers. The children's short stories you mention are mostly quite serious.
I was interested in being part of interesting stories. As an actor, you generally don't get to choose what projects you are part of, so I've been very fortunate that The Book of Mormon was something I got to be part of.
In less than a century we experienced great movement. The youth movement! The labor movement! The civil rights movement! The peace movement! The solidarity movement! The women's movement! The disability movement! The disarmament movement! The gay rights movement! The environmental movement! Movement! Transformation! Is there any reason to believe we are done?
It's easy to put [serious threats] aside, and the media don't talk about them. Other things are more important. How am I going to put food on the table tomorrow? That's what I've got to worry about, and so on. It's very serious, but it's hard to bring out the enormity of these issues, when they do not have the dramatic character of something you can show in the movies, with a nuclear weapons falling and everything disappears.
I don't have courage in my convictions and I'm not interested in serious things or politics: if you're doing an hour of standup, you should talk about a few serious things.
John Lewis' vital role in the civil rights movement will never be forgotten, and his legacy will forever be acknowledged by our state and our country.
When I was a kid, I wanted to be serious, like Daniel Day-Lewis. No one really dreams of being a comic actor, do they? Now I realise how stupid that is - and it's because comic acting isn't taken seriously enough. It's a discipline. You know instantly - either you're funny and getting the laughs, or you're not.
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