A Quote by Daniel H. Wilson

'Robopocalypse' joins a proud tradition of techno-apocalyptic tales, stretching from high-flying Icarus, to Frankenstein's monster, and to many a giant radioactive creature who has crashed the streets of Tokyo. And then, of course, there's the Terminator.
My favorite classic novel may be 'The Invisible Man.' It's smart and genuinely funny. Otherwise, my favorite character is probably Frankenstein's Monster/Frankenstein the Monster.
In Frankenstein there is a transfer first of life into death (in the creation and animation of the monster), and then of death into life, as the monster takes his revenge on the father who gave him life but withheld recognition.
My earliest childhood memories are of watching Abbott & Costello Meet Frankenstein and Frankenstein Must Be Destroyed. I remember not liking Frankenstein then and going, "Who is this bald guy?" But I love it now.
In the second half of primary school, I liked live-action shows and giant-monster movies, and then in junior high, I got into regular movies.
I've been waiting for techno to die. I was in Germany once and this guy was telling me that techno was dead, and then he proceeded to play me techno for hours.
Because we had to convince the scientific members of Transylvania that with the procedure I was using on the creature, Dr. Frankenstein could be taught to be a civilized human being, what I called a man about town. Instead of a monster who's going to kill their children, it was someone who could sing and dance.
'Son of Frankenstein' is never talked about in the same tone as James Whale's 1931 'Frankenstein.' But it should be. It was Boris Karloff's last appearance in the Frankenstein series and stars Donnie Dunagan, then a child actor.
The national government was itself the creature of the States...Yet today it is often made to appear that the creature, Frankenstein-like, is determined to destroy the creators.
If the hideous monster Frankenstein came face to face with the monster of marijuana he would drop dead of fright.
My friend James Cameron and I made three films together - True Lies, The Terminator and Terminator 2. Of course, that was during his early, low-budget, art-house period.
I have a daughter, Hanna, and I never read fairy tales to her. But I did tell her bedtime tales and made up many tales involving 'Gory the Goblin' and other creatures that I borrowed from the Grimms' tales and other tales I knew.
The pressure is high because of course... everyone's expecting me to win the gold medal in Tokyo.
A lot of the creature comforts and the things we take for granted, are not sustainable, especially at current population levels. And so, it's not just simply a matter of changing over to solar. It's a matter of changing our philosophies. Of learning to live, more or less, mid- or post-apocalyptic, whatever apocalyptic means.
I am like a small creature swallowed whole by a monster, she thought, and the monster feels my tiny little movements inside.
I connect with techno way more than house. I find it frustrating people call me a house artist because I think my music in general is more in the tradition of techno. House is celebratory and extroverted. I don't connect with that sentiment.
We cannot, of course, disprove God, just as we can't disprove Thor, fairies, leprechauns and the Flying Spaghetti Monster.
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