A Quote by Daniel Handler

I was in a pharmacy and I saw the warnings on the backs of poisonous substances, and I thought, "Well, that's what I can do." So I wrote a list of ingredients in the book, and warnings that they shouldn't consume those ingredients. The editor and the publisher thought that it was a great way to go in terms of reverse psychology, but it honestly hadn't occurred to me that it was reverse psychology. I just thought that it was sort of an honest assessment making clear that if you were timid or easily disturbed, you could turn away.
'Freakonomics' began with a 'N.Y. Times Magazine' profile I wrote about Steve Levitt. I was working on a book about 'the psychology of money,' and since Levitt's an economist, my editor thought I'd be the guy to write about him. Fact is that Levitt has almost no interest in either psychology or money.
The way that the stories go in the Snicket books is just the way stories naturally go to me. They're full of misery, and yet the misery ends up being slightly hilarious. And in terms of the warnings on the back of the books, that really started as an honest assessment of their marketability.
I printed a list of Irish names from the Internet and my husband, Dave, saw Finley on the list. I really liked it but didn't want to scare Dave off with my enthusiasm. So I used a little reverse psychology and let him think it was his idea.
I definitely thought the first book was going to be a one-off. I never thought I'd even write a book, not ever having aspired to be a writer. It's something that never occurred to me - a bit like it never occurred to me to play guitar when I was young. I just thought it was out of my league.
It was a sort of organic thing. I never went, 'I must be an actress.' I thought, 'I think I could do this. I think I could be good at this.' I would just get sort of hungry when I read something I thought I can do well, whether it was in books or in scripts or if I saw a certain movie. It sort of happened quite naturally.
Go vegetable heavy. Reverse the psychology of your plate by making meat the side dish and vegetables the main course.
People wanted me to do a CD-ROM of 'Hitchhiker's,' and I thought, 'No, no.' I didn't want to just sort of reverse-engineer yet another thing from a book I'd already written. I think that the digital media are interesting enough in their own right to be worth originating something in.
I thought a book on miracles might be a great idea, but just because it's a great idea doesn't mean I'm supposed to do it. But my editor persisted, and eventually I thought, 'He's right. I should write this book.'
The most rapid way to change a root thought, or sponsoring idea, is to reverse the thought-word-deed process. Do the deed that you want to have the new thought about. Then say the words that you want to have your new thought about. Do this often enough and you'll train the mind to think a new way.
My parents' concern has been one of my greatest assets - I needed something to kick against. If they'd supported me every step of the way I might not have had enough fire in my belly to get where I have. Then I think: was this whole thing reverse psychology, did you really go to those lengths?
One day while studying a Yeats poem I decided to write poetry the rest of my life. I recognized that a single short poem has room for history, music, psychology, religious thought, mood, occult speculation, character, and events of one's own life. I still feel surprised that such various substances can find shelter and nourishment in a poem. A poem in fact may be a sort of nourishing liquid, such as one uses to keep an amoeba alive. If prepared right, a poem can keep an image or a thought or insights on history or the psyche alive for years, as well as our desires and airy impulses.
My stories are warnings; they're not predictions. If they were predictions, I wouldn't do them. Because then I'd be part of the doom-ridden psychology. But every time I name a problem, I try to give a solution.
Italy was a surprise in my life. I went there just to make money and then go back to Israel and study psychology. The arts wasn't something I grew up with or thought I could be part of.
I always thought that if I got no love at all early in my standup career, or I was god awful, I thought I'd get into psychology.
I have quite a bit of sympathy for the idea that psychology and cognitive science have much to offer philosophy, and that the reverse is true as well.
I didn't see myself any different from my white counterparts in school. I just didn't! I thought I could do what they did. And what I didn't do well, I thought people were going to give me the opportunity to do well, because maybe they saw my talent, so they would give me a chance. I had no idea that they would see me completely different.
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