A Quote by Daniel Handler

I don't know if you've ever noticed this, but first impressions are often entirely wrong. — © Daniel Handler
I don't know if you've ever noticed this, but first impressions are often entirely wrong.
I don't know if you've ever noticed this, but first impressions are often entirely wrong. You can look at a painting for the first time, for example, and not like it at all, but after looking at it a little longer you may find it very pleasing. The first time you try Gorgonzola cheese you may find it too strong, but when you are older you may want to eat nothing but Gorgonzola cheese. Klaus, when Sunny was born, did not like her at all, but by the time she was six weeks old the two of them were thick as thieves. Your initial opinion on just about anything may change over time.
At times I feel it almost impossible not to despond entirely of there ever being a better, brighter day for us. None but those who experience it can know what it is - this constant, galling sense of cruel injustice and wrong. I cannot help feeling it very often, - it intrudes upon my happiest moments, and spreads a dark, deep gloom over everything.
Our first impressions are generated by our experiences and our environment, which means that we can change our first impressions... by changing the experiences that comprise those impressions.
I think the problem I have is that first impressions are the ones that stick with people. And people's first impressions of me are obviously from the film, from 'Gregory's Girl.'
Haven’t you ever noticed that people who win say it’s because the gods know they are in the right, but if they lose, it wasn’t the gods who declared them wrong? Their opponent cheated, or their equipment was bad.
First impressions are often signals from the deep that we should credit oftener than we do.
I've often said in the past that I thought MTV was sort of evil incarnate and signified the beginning of the end. And I don't know if I'm entirely wrong about that, but they did sign my paychecks a year ago, so I guess I'm part of the problem.
Far more crucial than what we know or do not know is what we do not want to know. One often obtains a clue to a person's nature by discovering the reasons for his or her imperviousness to certain impressions.
I think what happened is that everybody's impressions got formed in those first few minutes. And I felt like, by the latter part of it, I kind of clawed my way back into the discussion. But everybody's impressions were set at the beginning. And wholly apart from me and whether I was good or bad, you know, there were a lot of hostile questions.
Opportunities are often things you haven't noticed the first time around.
I know acting is not impersonating, but I'm good with impressions. I can do impressions of people I know, and people I've been, and roles that I've acted before.
No event for the Koyukon - or for most other indigenous peoples - is ever entirely meaningless or accidental, but neither is any event entirely predetermined or fated. Rather like the trickster, Raven, who first gave it its current form, the sensuous world is a spontaneous, playful and dangerous mystery in which we participate, an articulate and improvisational field of powers ever responsive to human actions and spoken words.
We all know of course, that we should never ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever fiddle around in any way with electrical equipment. NEVER.
Knowing that something is wrong and doing it anyway happens very often in life, and I doubt I will ever know why.
'First things first' might be a cliche, but it's a useful one that means prioritizing what matters most to you and believing there is no wrong answer. When it comes to figuring this out for yourself, the careful binary of work or life entirely misses the point.
We are all the subjects of impressions, and some of use seek to convey the impressions to others. In the art of communicating impressions lies the power of generalizing without losing that logical connection of parts to the whole which satisfies the mind.
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