A Quote by Daniel Handler

The Violins waltzed. The Cellos and Basses provided accompaniment. The Violas mourned their fate, while the Concertmaster showed off. The Flutes did bird imitations…repeatedly, and the reed instruments had the good taste to admire my jacket. The Trumpets held a parade in honor of our great nation, while the French Horns waxed nostalgic about something or other. The Trombones had too much to drink. The Percussion beat the band, and the Tuba stayed home playing cards with his landlady, the Harp, taking sips of warm milk a blue little cup. “But the Composer is still dead.
Louis Armstrong changed all the brass players around, but after Bird, all of the instruments had to change - drums, piano, bass, trombones, trumpets, saxophones, everything.
I got in the school band and the school choir. It all hit me like a ton of bricks, everything just came out. I played percussion for a while, and stayed after school forever just tinkering around with different things, the clarinets and the violins.
Now very much against her will, she thought of the way Jace had looked at her then, the blaze of faith in his eyes, his belief in her. He had always thought she was strong. He had showed it in everything he did, in every look and every touch. Simon had faith in her too, yet when he'd held her, it had been as if she were something fragile, something made of delicate glass. But Jace had held her with all the strength he had, never wondering if she could take it--he'd known she was as strong has he was.
After I learned the piano, I went on to learn percussion, the tuba, b-flat baritone, French horn, trombone, trumpet, most of the instruments in the orchestra. Trumpet was my instrument.
Is there any sign of spring quite so welcome as the glint of the first bluebird unless it is his softly whistled song? No wonder the bird has become the symbol for happiness. Before the farmer begins to plough the wet earth, often while snow is still on the ground, this hardy little minstrel is making himself very much at home in our orchards and gardens while waiting for a mate to arrive from the South.
It had ceased raining in the night and he walked out on the road and called for the dog. He called and called. Standing in that inexplicable darkness. Where there was no sound anywhere save only the wind. After a while he sat in the road. He took off his hat and placed it on the tarmac before him and he bowed his head and held his face in his hands and wept. He sat there for a long time and after a while the east did gray and after a while the right and godmade sun did rise, once again, for all and without distinction.
I drink a lot, probably too much. My scene while writing lyrics is always a bottle of scotch and stacks of note cards, pencil and pencil sharpener. I throw around note cards and drink.
Ranger clicked his penlight on. "Hang onto me if you can't see." I curled my hand into the back of his cargo pants just above his gun belt. "I'm good to go." He was still for a beat. "You could have held on to my jacket," he said. "Would you rather I do that?" "No. Not even a little.
My brother says that I was writing songs about fate while he was off playing soccer. Now I tell him he's 33 and being a professional while I'm playing soccer with my friends. Ha!
A strange thing has happened - while all the other arts were born naked, this, the youngest, has been born fully-clothed. It can say everything before it has anything to say. It is as if the savage tribe, instead of finding two bars of iron to play with, had found scattering the seashore fiddles, flutes, saxophones, trumpets, grand pianos by Erhard and Bechstein, and had begun with incredible energy, but without knowing a note of music, to hammer and thump upon them all at the same time.
I had to seal off my feelings about Stevie while seeing her every day and having to help her, too. But you get on with it. What was happening to the band was much bigger than any of that.
I'm always scouring the universe for great old instruments from the '50s and early '60s. That's really, for me, the golden age of basses, when they had just been invented within 10 years of that period and they had just started to come into their own, especially the old Fender jazz basses and old Rickenbackers and Gibsons. I'm always on the lookout. It's fun.
I first became aware of Charles Darwin and evolution while still a schoolboy growing up in Chicago. My father and I had a passion for bird-watching, and when the snow or the rain kept me indoors, I read his bird books and learned about evolution.
I remember everyone in my nursery school class getting a carton of milk before the day started. Only, I got mine about 20 minutes later than everyone else because it had to be kept on the radiator for a short while. I liked warm milk when I was small.
Most everybody had made at least one bad, drunken decision in their lives. Called an ex at two in the morning. Or perhaps has a little too much to drink on a second date and wept inconsolably while revealing how simply damaged one was, while nonetheless retaining an uncommonly large capacity for love. That kind of thing was, while regrettable, at least comprehensible. But waking up with someone generationally inappropriate, like your grandfather's best buddy?
While the accompanimental [sic] figures come from Prelude, the melody is wholly original to this theme. First stated on a lonely duduk, and then in octaves by the violins and violas, it is a melancholy and contemplative tune.
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