A Quote by Daniel Handler

It is always terrible to be told to go play with people one doesn't know. — © Daniel Handler
It is always terrible to be told to go play with people one doesn't know.
I was told I could play at the top long before I realised I could. A few people told me that. I've always had a 'name,' and I don't know how I got it, but I was blessed with people in the right situations saying good things about me.
When I go to see people, I always kind of hope they are going to play some kind of songs I know. So you've got to know your audience. It's kind of something that is a blessing and a curse in a way. You're obligated to play some of that stuff that people know, but I don't think that's all you have to do.
My entire life, people have told me that I couldn't do certain things. They told me I couldn't go to college. They told me I couldn't go to Yale, Georgetown, couldn't end up doing much on Capitol Hill. Couldn't be party chair. And my response has always been, 'Watch me.'
I was terrible student. I was capable, but I never like being told what to do, so I was always in the bottom class at school. In Australia, a lot of students study to the end of year 10, but don't go on to the final year, and I was asked to leave the school because they just thought I wasn't performing well enough. I used to sneak off to play piano, and defy the rules of the school.
As a kid, my parents told me I always seemed to play football with older people. As a boy, I always trained in the age group above, and even kicking about on the street, I'd play with the bigger ones.
I don't know how I could have been more explicit. I gave them a roadmap and a flashlight, but they didn't go where I told them to go, they didn't look where I told them to look, they didn't tell the people I told them to call.
As I was a kid, I had a bunch of musicians, they always told me that I should listen to all styles of music and try to play all styles and be authentic at it, if I can, because you never know who's gonna call you. This was coming from fellow horn players who would get the call to play with different types of people. Since I was a kid, that was just something I was always interested in.
I always have awkward relationships with the ladies for whatever reason. I don't know and so here we are. I was able to sort of take all of those terrible, terrible, terrible dates and turn them into a money making venture.
I was told once that I didn't play the Hollywood game, and that's why I wasn't a big star. What they meant when was that I don't go to parties, and when I go to an audition and I don't like the script, they know it
I was told once that I didn't play the Hollywood game, and that's why I wasn't a big star. What they meant when was that I don't go to parties, and when I go to an audition and I don't like the script, they know it.
People are often unable to do anything, imprisoned as they are in I don't know what kind of terrible, terrible, oh such terrible cage.
People in my novels always have terrible problems. If they are not terrible, I make them more terrible.
I took more anti-inflammatories probably than anybody in my 20 years of playing and I know what that terrible stomach pain can be. I also know what terrible menstruation cramps can be, as most women tennis players have, to the point where you feel nauseous, but you just play on.
People always say, 'Write what you know', but I've always found that to be terrible advice. It's quite limiting, what you know.
I've always told the musicians in my band to play what they know and then play above that. Because then anything can happen, and that's where great art and music happens.
My dad always told me to play hard and know that the people you're competing with and against are working just as hard or harder. So don't let them out-work you.
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