A Quote by Daniel Hannan

In my experience, Eurosceptics are likelier to have lived abroad and to have entered fully into other cultures than Euro-enthusiasts, many of whom seem to have latched on to the E.U. as a way of compensating for their poor language skills.
The eurosceptics, many of whom are my friends and are highly intelligent people with strong views, they are entirely respectable in every way, I just don't agree with them.
It was many and many a year ago, In a kingdom by the sea, That a maiden there lived whom you may know By the name of Annabel Lee;-- And this maiden she lived with no other thought Than to love and be loved by me.
Swimming has given me a lot. It's given me a respect for people and different cultures around the world when I've been competing abroad. I've learnt many life skills and met so many friends around the world that I might not have had otherwise. I'm focused and driven and I guess swimming has made me that way.
Language and culture cannot be separated. Language is vital to understanding our unique cultural perspectives. Language is a tool that is used to explore and experience our cultures and the perspectives that are embedded in our cultures.
That is a horrible thing in a way, but it is the one thing poets can bring back to experience, this intense focus on language, which activates words as a portal back into experience. It's a mysterious process that's very hard to articulate, because it's focused entirely on the material of language in a way, but in the interests not just of language itself whatever that would mean - that's the mistake, by the way, that so many so-called "experimental" poets make - but in service to human experience.
I have a one-question language test that people who have lived abroad do better on than those who studied in a classroom. Try my test yourself: In a foreign language you've studied, how do you say 'doorknob'?
Good authors mature over time: it does take awhile. Travel abroad and learn to live in other cultures. That's one of the things about teaching abroad.
Poetry is a way of being alone without feeling alone. It allows you to experience another mind, I suppose. And it does that more fully than other art forms, I think. It doesn't simply describe an experience, or a feeling, or a moment: it evokes it through, say, rhythm or tone or diction or metaphor. It creates a mood. A poem communicates before it is understood; it's not a fully paraphrasable form, which distinguishes it from other forms of writing.
Travel early and travel often. Live abroad, if you can. Understand cultures other than your own. As your understanding of other cultures increases, your understanding of yourself and your own culture will increase exponentially.
When I was a kid, I had trouble at school because of my learning disabilities. Carving is my body compensating for the lack of other skills.
Studying abroad should not be something that only the wealthy can afford. Every student deserves the opportunity to experience other cultures, make new friendships, share ideas and widen their horizons.
So when you are faced with a decision on the euro, it is not surprising that many people are confused. They still try to squeeze the euro debate into the old language. But deep down it is a matter of deciding where one's future lies. It is a matter of political will and courage.
I have arrived more definitely than any other painter during his lifetime; honours shower upon me from every side; artists pay me compliments on my work; there are many people to whom my position must seem enviable ... But I don't seem to have a single real friend!
I'm sure that growing up in the Midwest played a role in my chronic escapism. In fact, before I lived in France, I lived in Japan, England, and Bulgaria. I was determined to experience other places and cultures, particularly because I had the perception that I'd been cut off from these experiences as a child.
The benefits of studying abroad are huge. You can pick up a new language, develop a love for another culture, and pick up new skills, hobbies and work experience to boost your CV.
Some feminist critics debate whether we take our meaning and sense of self from language and in that process become phallocentric ourselves, or if there is a use of language that is, or can be, feminine. Some, like myself, think that language is itself neither male nor female; it is creatively expansive enough to be of use to those who have the wit and art to wrest from it their own significance. Even the dread patriarchs have not found a way to 'own' language any more than they have found a way to 'own' earth (though many seem to believe that both are possible).
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