A Quote by Daniel Johnston
When I'm doing a drawing, I get lots of ideas I use them in my songs, even. I do a lot of drawings because that's where I get most of my spending cash and I just always have to have new records, to get something to satisfy my listening pleasure.
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Not everybody is going to like what I do or get what I do. With as much positive, you always get the negative to deal with. I get that as well. Most of the time, I'm very honored to have a fan base that they react to my songs. My songs speak to a lot of them.
We[ Papa Roach ]'re always trying to get bigger and bigger. It's weird because I wasn't around when they sold millions of records. Now it's just always about "OK what new people can we get to." We're trying to package up with younger bands like Bring Me the Horizon or Of Mice and Men. Those bands always get talked about, because their demographic is so young. But, actually we are seeing a lot of younger people at shows which is awesome.
Writin songs is like a mystery. The most difficult thing to do is have a good idea. If you have a decent idea, the songs are the easy part. Actually having something to say is the hard part. If you get an idea for a song, then it pulls you along. There are just some ideas that you get that are really hard to edit out; it's hard to stop thinking about some bad ideas. So you just finish it and you end up putting it on a record.
I always appreciated the ex-players. Being a Yankee, you get spoiled. Old-Timers Day, all these guys coming back, spring training, being around them, you get a chance to get to know them. So I always think you learn a lot by listening.
I was always most interested in drawing - most of my childhood drawings are black-and-white line work. And when I kind of abandoned comics, through college and art school, I was doing a lot of painting. But once I started doing comics again, everything else just fell by the wayside.
I come from the school of hip-hop where you just buy records and sample records all the time. Doing that is tough sometimes, because if you get a placement on a major record, your record could get shelved because of clearance issues.
I know some bands that are precious about their new ideas. They're conscious of the fact that people can - even from mobile phones - begin to get clearer and better recordings of the songs... so they're a lot more hesitant to play them.
I start a lot more songs than I finish, because I realize when I get into them, they're no good. I don't throw them away, I just put them away, store them, get them out of sight.
I released that I could crank out a song if I practiced it a lot. If I am in the practice of writing songs everyday or every other day, getting ideas and following through with them, and not just saying "I've got this idea, but I will get to it at some point." If I actually sit down and not be lazy, and follow through with it then you just get in the practice of doing things. It feels very productive, and then it gets a lot easier, because you are working the muscle in your brain. The "song-writing muscle" so to speak.
Salim-Sulaiman have always been my favourite. It's just an absolute pleasure working with them, and there's always something new you get to learn just by sitting in their studio and absorbing all that's happening around you.
Sometimes listening to music can motivate you. It can. But if you're a musician, that isn't always the way to get new ideas because you don't want to take somebody else's ideas. You need to find your own. So if you go to different artistic mediums, whether it's dance or it's visual arts or films or books, stories, sometimes it gets you hearing things, hearing progressions that you wouldn't come up with if you were just listening to other music because you don't want to copy progressions you've just heard.
I began teaching my son how to shoot when he was two, starting with the basics of a BB rifle. My theory is that kids get into trouble because of curiosity—if you don’t satisfy it, you’re asking for big problems. If you inform them and carefully instruct them on safety when they’re young, you avoid a lot of the trouble. My son has learned to respect weapons. I’ve always told him, if you want to use a gun, come get me. There’s nothing I like better than shooting.
Generally I just pick music that I like. That's the part I really enjoy: When I get permission for the songs I want and put them into the scenes. It's always hard when you're doing a low-budget film, so it's great when you can get all the music you want to get.
The most important lesson is to never get comfortable; always come up with new ideas; learn something new; try something new.
There's only one reason why you write new songs: You get sick of the old songs. It's not that I didn't do anything during the time when I wrote no songs. I was creative, but in another way. I had ideas for songs and collected the ideas.
I had demos that I'd send out of the songs and I'd get, "Great, can't wait to get in a room and actually play this and work on the album." So, it was good all-around because they knew even though I wasn't with them for some of the shows, I was being productive, which was really important because I didn't want to just sit on my ass. Once I was able to use my hand again, I would go right into it.
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