A Quote by Daniel Kaluuya

The beauty of any artwork is that it becomes the person that's watching it: What do you take out of it? — © Daniel Kaluuya
The beauty of any artwork is that it becomes the person that's watching it: What do you take out of it?
I don't think the possibility for beauty can be foreclosed, because beauty can take so many forms. There is beauty that arises from the unexpected, when our familiar perspectives are thrown off balance. There is also the beauty that paradoxically comes out of the tragic, that emerges because we are reminded of what is no longer there, that becomes powerful because of what is absent.
In a sense, the artwork is the most important thing in getting somebody to buy a book. The person probably won't buy a book if he doesn't like the artwork. Once you buy it for the artwork, you hope that the story will also be good.
Whenever I work on an album and the time comes to do all the artwork, the only thing I think of is the LP artwork. When we worked on the 'Electric Trim' artwork, we spent weeks and weeks making the LP artwork great, and then the CD artwork came together in a day or two. The LP is what's important to me.
I guess if you take yourself seriously as an artist there starts either the problem or the beauty of doing good artwork.
Unless we look at a person and see the beauty there is in this person, we can contribute nothing to him. One does not help a person by discerning what is wrong, what is ugly, what is distorted. Christ looked at everyone he met, at the prostitute, at the thief, and saw the beauty hidden there. Perhaps it was distorted, perhaps damaged, but it was beauty none the less, and what he did was to call out this beauty.
I have no objection to any person's religion, be it what it may, so long as that person does not kill or insult any other person, because that other person don't believe it also. But when a man's religion becomes really frantic; when it is a positive torment to him; and, in fine, makes this earth of ours an uncomfortable inn to lodge in; then I think it high time to take that individual aside and argue the point with him.
Take in everything before you and let your eyes be drenched with beauty, and as you love beauty in a reverent way it becomes a sacrament to you.
During the curfew, whoever went out, the people were watching you. Any Japanese home, there was some person figuring he's a good American citizen by doing his duty, and they were watching every move each family were doin'. Or if they went out, they followed them to see where they were goin'.
I have to say that one person I learned from the most as an actor in my life is Emmy Rossum. She is so insanely talented in the sense that when watching her work, it just turns into watching her speak - it's no longer acting; that's how good she is! She just becomes the person.
I think the beauty of the film industry is that if another person tries to become another person or act like another person or imitate another person, they don't really get too far. When that person starts to realize who they are and what they can bring to the table, they start to blossom and grow. With that, it's not so much me looking towards my predecessors who have paved the way in the industry - it's more getting inspired. I get little bits and pieces of what I can take from any and everybody.
I was watching the Nina Simone documentary alone in my room, and I said out loud to myself, 'Why do we not know that this woman is beauty? She is beauty! Why did no one tell me this growing up? Why was her name not next to 'beauty' in the dictionary?'
We all share beauty. It strikes us indiscriminately. There is no end to the beauty for the person who is aware. Even the cracks between the sidewalk contain geometric patterns of amazing beauty. If we take pictures of them and blow up the photographs, we realize we walk on beauty every day, even when things seem ugly around us.
When you become your own boss, and your artwork becomes your livelihood, it becomes the only thing you think about.
There's generally no good reason why others should care about most of any one artist's work. The function of the overwhelming majority of your artwork is simply to teach you how to make the small fraction of your artwork that soars.
The smaller the instrument or more hidden it is such as electronics, the more esoteric it becomes and in my mind becomes boring watching someone go like this and that has no direct... It's just a complete abstract motion, not attach to any sound.
Our keeper, Karen Bardsley, stakes out any penalty, any free-kick, any corner. KB knows the detail of how the person will take it.
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