A Quote by Daniel Kaluuya
Big up Samuel L. Jackson, because here's a guy who has broken down doors.
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There was a time Michael Jackson couldn't get his video on MTV because he was considered to be 'urban.' The Michael Jackson. So I literally have to be the Michael Jackson of apparel in order to break down the doors for everyone who will come after I'm gone, after I'm dead.
What I remember from [the first meeting with Samuel L. Jackson] was that he was a friendly, animated kind of guy. His screen image is a hard boiled intimidating kind of character. That's what I remembered thinking, 'Boy, this guy seems like a normal guy.'
I listen to a little bit of hip-hop, but I mainly go back to what was big when I was at the University of Georgia in the '70s. I'm a big Emerson, Lake & Palmer guy, a big Jackson Browne guy, the soundtrack of college.
Because I'm a big guy, I was always playing the bad guy or whatever, but after I did 'The Blind Side,' where I played a father who's a really loving, likeable sort of person, a lot of those barriers were broken down. People saw me as something softer, not so much as a heavy anymore.
I've been training with my mixed martial arts guy as much as I can when I'm back in L.A., so if I could do another movie like I did in 'The Killing Game,' with Samuel L. Jackson, that would be awesome.
Jackson plays a broken guitar because he’s in love with it, and doesn’t want to fix it, I think. It’s so broken.
I did 'XXX: State of the Union' with Ice Cube because he and Samuel L. Jackson are some of favorite inspirations in life.
Samuel L. Jackson is one of the best actors there is.
Great actors like Willem Dafoe and Ellen Page and Samuel L. Jackson will go and do a videogame, because they understand that storytelling isn't just necessarily about filmmaking.
You cannot build a little guy up by tearing a big guy down. Abraham Lincoln said it...
I had, in college, a professor called Walter Jackson Bate, and he taught a course called The Age of Johnson. It's about Samuel Johnson and his period, 18th-century British writing. So we all got to endure Samuel Johnson, and Boswell's 'Life of Johnson' is now my favorite book. I read it all the time I can; it's great for going to sleep.
Do you remember that old TV series, Get Smart? Do you remember at the beginning where Maxwell Smart is walking down the secret corridor and there are all of those doors that open sideways, and upside down and gateways and stuff? I think that everyone keeps a whole bunch of doors just like this between themselves and the world. But when you're in love, all of your doors are open, and all of their doors are open. And you roller-skate down your halls together.
I love watching Samuel L. Jackson do anything, but for me, Gary Oldman is the grandmaster of the game.
Can't step from one movie set to the next. Only Samuel L. Jackson can do that. All us mere mortals can't do that!
As far as I'm concerned, I want to do everything because life is short. So, when I did 'The Red Violin' film, I got to go to the Oscars, and I got to meet Samuel Jackson, and I got to do stuff that one wouldn't normally do in my world.
Placing the burden on the individual to break down doors in finding better education for a child is attractive to conservatives because it reaffirms their faith in individual ambition and autonomy. But to ask an individual to break down doors that we have chained and bolted in advance of his arrival is unfair.
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