A Quote by Daniel Kaluuya
Being young, working class, and black, everything you do is policed. If someone hits you and you hit back, you are aggressive. If you cry, you are weak. You are kind of always pretending to be something.
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That's what stock-car racing is. You hit someone, or you get hit. That's something I had to learn. It's a key factor in why I'm so aggressive. I don't want to have to hit you. But if you're going to hit me, I'm going to hit you.
As someone from the working class I was always interested in Russia and China and everything that related to the working class, even though I was playing the capitalist game.
I've never been the big recording star I'd love to be some day. I've had lots of hits off and on through the years but I've never had the success of other artists - one hit after another back-to-back-to-back and big hits, where every song is going to be number one. I'm not greedy or nothing. I just want everything. Is there something wrong with that?
In Britain, we need to start presenting the option of being a writer in front of black women. We need to present the idea of being a writer into poorer communities because the majority of black people in this country are working class. We need to let working-class people know that their voices are important.
What I love about the theatre is that it's always metaphorical. It's like going back to being a kid again, and we're all pretending in a room. Sometimes, when the pretending really works, I find it much, much more moving than something on film.
Besides buying a mansion or something, everything I wanted I always got. I'm just ready to invest it and save it. Otherwise, life can hit you, but you can't go back to working at Home Depot. That's why I always just be stacking.
When I was just 13, we went from being middle class to lower middle class and finally lower class, as someone close to my father took away everything he had, including his property. All of a sudden, I started working at the age of 13.
There's just something about being a young, working class, working poor, person of color in New York City in the 80's that needs to be understood by people outside of that experience. The way I put it is that we created something really amazing, hip hop, when we weren't even supposed to survive.
When a black church is hit in South Carolina by someone with hate in their spirit, that's something that touches all of America, but as a person of color, I see that story even through a deeper prism of, 'Gosh, that takes us back to a time when black churches were targets in this country.'
Not that I am hugely working class, but in the U.K. I'm always perceived, casting-wise, as being working class.
How to survive boarding school. Do not express emotion, do not feel emotion, do not have emotion. If someone hits you, hit them back, if someone argues with you, argue back, never give in an inch, never look vulnerable and you will survive.
When you make something, if you are a painter or a writer, a degree, or a sculptor or whatever or a musician, a degree of energy is required to make it, and I'm not sure that it is always aggressive, but when you have a great deal of energy it can appear to be more aggressive than it is. In fact, I mean you can talk about a waterfall being aggressive, but in fact it is just a very powerful forward movement of energy, and although I think sometimes my engine house is a kind of anger.
When I talk about 'working class,' I don't talk about 'white working class,'. I talk about 'working class,' and a third of working class people are people of color. If you are black, white, brown, gay, straight, you want a good job. There is no more unifying theme than that.
The ingrained image of black men being searched by the police feeds into the collective illusion that black men everywhere need to be policed more than others.
What is a hit? Who can tell? Who decides what a hit sounds like? I needed to remind myself that a hit is whatever people decide is a hit. I don't make hits; I make music. People make hits.
We have essentially gone from being communities that were policed by people from the communities to being communities that are policed by strangers, and that's no longer a community: that's an area that's under siege.
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