A Quote by Daniel Kehlmann

English is much drier. You can get away with a lot less. Pathos, lyricism, these are things you have to tone down if you want the English version of the book to work.
Not long time ago there was a striking example of the extent to which English has diverged: a television company put out a programme filmed in the English city of Newcastle, where the local variety of English is famously divergent and difficult, and the televised version was accompanied by English subtitles!
German can take a lot more pathos than English can. When you say "pathetic" in English it's a disparaging term, but when you say "pathetisch" in German it's just a description, not necessarily negative. That says a lot already.
A lot of the demos I write are all in English, so releasing music in English isn't translating to English, it's just keeping them in English.
The English, the English, The English are best: So Up with the English and Down with the Rest!
It is no exaggeration to say that the English Bible is, next to Shakespeare, the greatest work in English literature, and that it will have much more influence than even Shakespeare upon the written and spoken language of the English race.
I think that if you are sticking to the text, essentially, you're not trying to write your own version of it. I mean, of course, it is your own version of it. And every translator would probably have a different version. But I think that that's what keeps the writers from being individual in English. They may be my English, but I don't think that Ferrante sounds like Levi.
I think English is very important for tennis players. To be on the tour, it's much more easier if you speak English. So that's why I knew that I have to improve my English.
To be blunt, I feel like lyricism in Spanish is of a different quality than English. You can get really poetic in Spanish, but I feel like if you do that in English, you risk sounding cheesy. In Spanish, it's never that. It's always this deep, passionate, beautiful imagery; it's painted different, a different color.
When people come to see you, they know what you do. That's what they want. They want it to be quite English; they don't want to watch an English bloke trying to fit in. They want it to be quintessentially English in the way that Ricky Gervais is rude to people at the Golden Globes.
The biggest issue for me has been the language because I speak so much German now. I've had to focus on my English and find more words to describe what I want to say and also soften my tone. It was quite stiff from 20 years of speaking German, so when I started speaking more English, oh my god, my tongue was like: 'Argh'!
Sometimes I wonder how my life would have worked out if my books had been translated into English sooner, because English is the language that's spoken worldwide, and when a book appears in English it is made universal, it becomes a global publication.
My English is closer to the literary English, and I'm not very familiar with jokes in English or with, you know, with small talk in English.
English is no problem for me because I am actually English. My whole family are English; I was brought up listening to various forms of the English accent.
t.A.T.u. did a Russian version of 'All The Things She Said' and it was even better than the English version!
My fitness trainer's English, my physio's English, some of my friends are English. I don't have a problem with English people at all.
I want to speak English perfectly. In fact, I want to speak English just like I fight, and, until that moment, I find it very hard to do an interview solely in English.
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