A Quote by Daniel Libeskind
The official name of the project is 'Jewish Museum' but I have named it 'Between the Lines' because for me it is about two lines of thinking, organization and relationship. One is a straight line, but broken into many fragments, the other is a tortuous line, but continuing indefinitely.
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There are many crooked lines and one straight line. Which is the line of truth? Why the straight line? Truth is always the shortest distance between two points.
That, if a straight line falling on two straight lines makes the interior angles on the same side less than two right angles, the two straight lines, if produced indefinitely, meet on that side on which the angles are less than two right angles.
The two black lines on the armband means that they're the deceased's family. One line means they are either friends or acquaintances. One line of the arm, one line on the heart. The bastards who stood by my side with two lines, they'll be the hardest farewells I'll have to make in my life, and they're the luckiest fortune I've met in my lifetime.
The secret of many of my deformations - which many people do not understand - is that there is an interaction, an intereffect between the lines in a painting: one line attracts the other and at the point of maximum attraction the lines curve in toward the attracting point and form is altered.
Concrete you can mold, you can press it into - after all, you haven't any straight lines in your body. Why should we have straight lines in our architecture? You'd be surprised when you go into a room that has no straight line - how marvelous it is that you can feel the walls talking back to you, as it were.
I write a line and then I revise the line and then I write two lines and then I revise lines one and two and then I write one, two and three and I revise one and two and then I write seven and eight and then I see that should be line four and I continually work it over as I go.
When I'm constructing a poem, I'm trying to write one good line after another. One solid line after another. You know a lot of the lines - some hold up better as lines than others. But I'm not thinking of just writing a paragraph and then chopping it up.
In books, you can just wallow in dialogue, and you can just wallow in written words. In screenplays, every line has to serve the purpose of the line that's implied before it and the line that's implied after it. Maybe five lines have to do the work of fifty lines.
It does, Tennyson, because there’s a fine line between confidence and arrogance. There’s a fine line between being assertive and being a bully. And you’re on the wrong side of both lines.
I start out with words, with the idea, the line. Then after I get a line or two, I try to find what melodic line those lines would be suited to. As soon as I find the form I can finish the song in my head.
One line on the arm, one line on the heart. The bastards who stood by my side with two lines. They'll be the hardest farewells I'll have to make in my life and they're the luckiest fortune I've met in my lifetime.
Today we live in a chaos of straight lines, in a jungle of straight lines. If you do not believe this, take the trouble to count the straight lines which surround you. Then you will understand, for you will never finish counting.
Marvin Bell always looked very closely at how lines could break, how you could put over one line into the second line. How you could stop the line two or three times within the line: You could make it stop.
What makes a set of lines and colors into art is the relationship between this line and that one; the way one color or form echoes another in a different part of the canvas.
I have a lot of friends and family that have suffered because of the church's judgment; my best friend in the world is gay. I felt a lot of people around me drawing lines in the sand, and that year I decided: I don't want to draw lines and have to be on one side or the other, but if someone's going to push me to one or the other side of the line, I'm going to stand on the side of those being judged because that's where I feel Jesus meets people.
[Dario Argento] speaks very broken English - he's Italian, so I'm going to do a very bad Italian impersonation - but he asked me my name, and I told him, and he goes, "Walk across the room." He looked at me, and he said, "Do you want to be in my movie [Two Evil Eyes]?" I was, like, "Yeah! Yeah, I do!"He goes, "Okay! You play Betty!" And I was, like, "Oh, I'm playing an extra named Betty! Great!" So we walked out, thinking that I was playing an extra named Betty, no lines, just background.
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