A Quote by Daniel Lissing

Writing a script is hard, I've discovered. — © Daniel Lissing
Writing a script is hard, I've discovered.
I discovered that, in order to write a magnificent piece, you should shoot the images because once you are filming, you are writing the script in your mind.
You can make bad writing 'OK,' but... you really need to start with a good script and with characters that are three-dimensional and with great dialogue. It's a difficult lesson to learn because good writing is hard to come by, but it's definitely worth chasing.
I use improvisation as a writing tool to help produce material that goes into a script, but a well-crafted script shouldn't sound scripted, and oftentimes people confuse something that looks like improvisation for what is actually a very well-written script that is well-acted.
There's innocence in a young mind, say 18 or 21, writing a script. But we have to acknowledge that they have to open up to life's experiences to be able to add those layers of depth into the script.
Sometimes the better the writing, the harder it is to play because you really want to service it. It's hard to be that quick and articulate in life. You've got to try to make it seem discovered, you know, not rehearsed.
Before, I was writing a script to make a movie. At a certain point, I became A Writer in Film and Television. So I got TV deals to write stuff, film deals to write stuff. But it's dangerous. I got into the WGA, and I became kind of, you know, a slave! They just pay you to write a script, and it's hard to make the movies.
I would love to write a script, for sure. I write poetry and songs. But writing a script needs a lot of time and discipline.
You either learn your way towards writing your own script in life, or you unwittingly become an actor in someone else's script.
Everything I do with my day is related to Superwoman. I'm either doing conference calls or writing a script or reading a script, editing a video, shooting a video.
Diablo Cody wasn't writing a script about a 16-year girl that got an abortion. She was writing a script about a 16-year old girl that got pregnant, decided to have the baby and give it to a young yuppy uptight couple for adoption. That's what the movie is about.
We see only the script and not the paper on which the script is written. The paper is there, whether the script is on it or not. To those who look upon the script as real, you have to say that it is unreal - an illusion - since it rests upon the paper. The wise person looks upon both paper and script as one.
Always care for the writing part first. Every good film project starts with good writing. If you have a good script, everything else follows. Writing is crucial.
I've gotten much better at multi-tasking. It's hard, though. But, writing a script is not totally focused. You're taking little breaks, all the time. If a kid runs in, you give 'em a horsey ride. It's a pretty fluid process.
When you're writing for a show, you're writing part of the script. You have to tell the story.
I'm not writing for fundamentalists. I'm writing for the people who have been repelled by that kind of thinking and yet who think there might be something they haven't yet discovered.
When I was writing the script, I knew didn't want to make a sports movie. I was very clear that I wanted to make a sibling rivalry story. So when I was writing the script, the football was getting in the way of the drama. One day, I saw Michael Haneke's Funny Games, which is probably the most violent film I've ever seen - but the violence is off camera. When I finished watching the film, I said, 'Hey, that's what I have to do.' Haneke gave me this solution.
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