A Quote by Daniel Lyons
I feel like Valleywag has been different things with different writers over the years. Up and down. I think it's at their best when they get a legitimate scoop, like when someone leaks them documents. I feel like we could do more of that, breaking stories.
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I grew up in LA so I'm definitely a West coast girl. It's a totally different beach. It's a totally different ball game. I feel like on the East Coast being at the beach is something they don't get to do a lot. So you get this feeling where feel the energy of everybody just being so excited to be on vacation or in the sun. Here in LA I feel like we get that a little bit more so we don't appreciate it as much. But there you could really feel the energy.
One thing I have figured out: People don't like different. People don't like to see anything different. When you see something different, you are either scared or afraid or you feel threatened. And I feel that the way I play the game, it feels like I should have played 50 years ago. But it's what I do.
Because I feel like I can do so many different things, and people like my music for different reasons, I don't feel pigeonholed. I think people are always going to appreciate whatever direction I take.
I just think that the gifts that God has given me and the attention that I have, I just don't feel like acting is the limit of it. I just feel like there's so much more that I could do...And, you know, every day I wake up and I try to do a little more and I just want the world to be different and better because I was here.
My music is more like ghetto gospel; there's a message in my words, so people listen. Sometimes you might here different things; it depends on how you feel. You might feel down, and I might be the cat in the same sentence saying, "You need to get up and do your thing." And then I could be the same cat, when you at the top of your game, telling you, "It feel good, don't it?" but with the same words.
I have not been to Cuba, though if you count the stories my grandma told me growing up, I've been there in my head many times. I think someday I will see it, when things are different there, but I've come to feel like I really am a Miami girl.
I feel like you have to be so precise in what you are going to say, or you can be hammered if you say it the wrong way. That part makes feel bummed out because sometimes these things can take a while to figure out. Different people formulate things in different ways and have different processes. I feel like let's just take a deep breath and not be so perfectionistic about it all.
I like to work with people of different cultures, different points of view. But yeah, I feel much more comfortable. That's the problem I sometimes have with going to Hollywood. I feel like they don't share the same values as I do. They aren't interested in the same things. It's not always true, but sometimes, I feel it deeply, because as an industry, they celebrate things that I'm less interested in, and it's all about the business.
I think of something quite different from a snapshot. I know of a lot of poems, some very fine ones, that are like snapshots, but I'm more interested in poetry that is like an endless film, long stories, things that weave together many different strands, like a big piece of cloth, not like a photograph.
Why don't you like being you for a change? Just be different and don't hate yourself and feel very good about all your different desires and all the things you didn't want and want. Go get them all, and see what it's like.
I feel like I'm a boy, but I don't feel like I should've been born with different parts of my body or anything like that. I feel like it's just all in how I dress and how I talk and how I look and feel, and that makes me happy.
I maybe need a break, because I feel like I've done every iteration of it, and that's what's been great, you know - 'Mr. Brooks' is so different from 'Friday the 13th,' which is so different from 'The Crazies,' which is different from 'Piranha.' So, I feel like I've kind of covered it across the board.
In general, I don't like game mechanics, I mean it's the idea you do the same things through different levels. I think, in my mind, it's an ideas I don't really like because I love to do different things and like to see the story moving on and I like to do different things and different scenes, not do the same thing over and over again. If it involves violence at some point fine, if it makes sense in the context. But violence for the sake of violence, it doesn't mean anything to me anymore.
If a fan approaches me and I feel like they have some kind of agenda, I'm probably gonna get real closed-off and not talk to them. But if I feel a connection with someone, or if I feel a certain trust with somebody, I feel like, 'You know what, I can open up to this person and tell them about an experience.'
As it's related to publishing, I think magazines really benefit from having a staff with a range of different perspectives and cultural references so that any reader can feel like there is someone on the masthead they can relate to, someone they can trust to speak up for them. It's great to see that idea being embraced more and more.
..few writers like other writers' works. The only time they like them is when they are dead or if they have been for a long time. Writers only like to sniff their own turds. I am one of those. I don't even like to talk to writers, look at them or worse, listen to them. And the worst is to drink with them, they slobber all over themselves, really look piteous, look like they are searching for the wing of the mother. I'd rather think about death than about other writers. Far more pleasant.
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