I spent the first 22 years of my life absorbing everything, like a big disgusting cell, and now I'm disgorging it with jokes added out into the world. That's a really gross metaphor.
I like grown-up comedy, where it's about character and attitude and life as opposed to obvious gross-out and jokes.
I really just think it's disgusting when people - to actually say that you want to be famous, it's just gross. There's nothing wrong with fame, but to seek out the spotlight just to be on TV for the sake of being on TV, and to put your children on there, I think, is especially disgusting.
'District 9' was a singular anti-Apartheid metaphor, and 'Elysium' is a more general metaphor about immigration and how the First World and Third World meet. But the thing that I like the most about the metaphor is that it can be scaled to suit almost any scenario.
Writers really do that. We weep over our characters. We are saddened sometimes for days when we say goodbye to a world or a character. They do become our best friends. I've probably spent more time with them over the past 22, 24 years than I have spent with most of the real members of my family.
I write everything out in longhand in one fast go. And then I throw out the first few and start over again. By the end of the first draft, the whole thing's messy and disgusting and horrible, but you really understand the foundational stuff.
Ya know, right now the most important thing in my life is to make sure you understand that, first of all I thank God I'm alive today, and I mean that. I spent too many years of my life thinking that the big party was the whole thing.
You know, right now, the most important thing in my life is to make sure you understand that, first of all, I thank God I'm alive today, and I mean that. You see, I spent too many years of my life thinking that the big party was the whole thing.
When I was 22 years old, I thought girls would like me if I wrote a novel. I spent so much time writing that I was thrown out of graduate school.
The storm was really giving it everything it had. This was its big chance. It had spent years hanging around the provinces, putting in some useful work as a squall, building up experience, making contacts, occasionally leaping out on unsuspecting shepherds or blasting quite small oak trees. Now an opening in the weather had given it an opportunity to strut its hour, and it was building up its role in the hope of being spotted by one of the big climates.
I think that's the real shame: We spent the last 48 hours talking about these disgusting, disgusting comments and disgusting behavior instead of talking about hurricane relief or what's going on in Flint, Michigan. It's just appalling to have to be dealing with such nonsense and such disgusting, you know, criminal speech.
I spent thirty-three years in another man's shadow. I went everywhere he went, I helped him with everything he did. I was in a sense a part of him. When you live like that for a long time, you gradually lose track of what it is you yourself really want out of life
My first book is really comparable to what I do now, where it's pretty surreal and strange at moments, but that being my first book - I wrote that when I was 22; it came out when I was 24 - and it was just really overwritten. I just didn't trust myself as a writer to say something once.
It was absolutely killing me that I've spent the first 25 years of my life tryin' to avoid bullets. That was always the main concern. Don't go out late. Don't go to any shady neighborhoods. Don't hang in bars alone. Why? Because you wanna avoid bullets. So once I get to 35 then I was like "Woo, okay. Made it." And now there's a new warning. Now it's like strokes; I gotta watch my health.
At the heart of the WTO is an assault on everything left standing in the commons, in the public realm. Everything is now for sale. Even those areas of life that we once considered sacred like health and education, food and water and air and seeds and genes and a heritage. It is all now for sale. Economic freedom - not democracy, and not ecological stewardship - is the defining metaphor of the WTO and its central goal is humanity's mastery of the natural world through its total commodification.
I like to experience the universe as one harmonious whole. Every cell has life. Matter, too, has life; it is energy solidified. Our bodies are like prisons, and I look forward to be free, but I don't speculate on what will happen to me. I live here now, and my responsibility is in this world now.
Zombies, mummies - they're disgusting and gross. You don't want to make out with a mummy. At least, I don't.