A Quote by Daniel Mays

I had gone from job to job up in London before 'Fisherman's Friends'. — © Daniel Mays
I had gone from job to job up in London before 'Fisherman's Friends'.
Crime is a job. Sex is a job. Growing up is a job. School is a job. Going to parties is a job. Religion is a job. Being creative is a job
I've never had a job in my life that I was better than. I was always just lucky to have a job. And every job I had was a steppingstone to my next job, and I never quit my job until I had my next job.
I definitely have friends who - they've gone to multiple jobs, they've had trouble finding jobs, some have gone back to school - it's a very transitional period in anyone's life. I think definitely people have, even like my girlfriend for example, she works her job - and just the fact that she has a job - she just feels super lucky in this economy. But it can really shape, I think, the way you view the world.
In high school, I started saving up to get a nose job, which is so ridiculous. I had this job at Tim Hortons, and I was trying to save up $10,000 for a nose job.
And every job that I had was a stepping stone to my next job and I never quit my job until I had my next job. And so opportunities look a lot like work.
'Friends', even though it was the longest single job I've had, still to me at the end of the day, when it was over it was a job.
I had no idea who Elektra was. When the producers asked me before I booked the job, I had to tell them. It was a great surprise when I actually got the job.
I always say 'Knocked Up' opened the doors, and 'Hangover' just burst it wide open. To this day, it's still surreal. And my wife's a doctor. All our friends are doctors - our close friends. And it's just that I have an odd job now. I think I'm like a doctor who had a detour, and I just have an odd job.
I had a job to do in the ring, and the businessmen around me had a job to do outside the ring, I did my job by beating up most of the guys they put in front of me and staying in shape, but the people I trusted didn't do their jobs.
When I was 13, I had my first job with my dad carrying shingles up to the roof. And then I got a job washing dishes at a restaurant. And then I got a job in a grocery store deli. And then I got a job in a factory sweeping Cheerio dust off the ground.
Most of 'All Hail West Texas' was written during orientation at a new job I had. I had basically worked this job before, I knew this stuff, so I was writing lyrics in the margins of all the Xeroxed material.
I had a good job as a printer in the East End. Before the unions destroyed it, that job was very lucrative.
I had to turn down films and plays because I had a job, and I could not take up better job offers that required me to relocate, because I did not want to lose the link with theatre. It was a huge decision for me to quit my job.
I was a huge rereader, so I've read all the Chronicles of Narnia, at minimum, 13 times each. In reading that series, I realized that someone had written those books, and that was that person's job. And I thought, 'That is the job for me. That is the job I'm going to have when I grow up.'
The friends of Job appear on the scene as advisers and "consolers," offering Job the fruits of their moral scientia. But when Job insists that his sufferings have no explanation and that he cannot discover the reason for them through conventional ethical concepts, his friends turn into accusers, and curse Job as a sinner. Thus, instead of consolers, they become torturers by virtue of their very morality, and in so doing, while claiming to be advocates of God, they act as instruments of the devil.
I never really had a job, because I've been cycling from such a young age: there was never really a time to have a job. My mum went into Starbucks once and asked if they had a job for me, and they offered me one - but I never took it up because I couldn't fit the job in with school and cycling.
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