A Quote by Daniel Mays

I try to mix the characters up and not be second guessed by the audience. — © Daniel Mays
I try to mix the characters up and not be second guessed by the audience.
I have no reason as a director to have films go up in versions that I don't like. My only experience of film after ten years is honestly that if a picture doesn't get second-guessed you're looking at four Oscars, and if a picture does get second-guessed, you're not. I've got an advanced degree in that lesson.
Why would you want to stay manager and be second-guessed by me when you can come up into the front-office and be one of the second-guessers?
I love boxing, and I try to mix it up as much as I can. Boxing makes you kind of tight, so it's really good to mix that with barre, pilates, or something that'll stretch you out and make you longer. I'm not the person that loves to be in the gym so much. I like to mix it up as much as possible, otherwise I'll get bored.
If you're playing a good guy, you show some darkness. If you're playing a dark guy, you show something different, like humor, that will mix it up and hopefully surpass the audience's expectations. What I'm battling all the time is complacency in the audience. I try to bring a little mystery to what might happen because that engages people more.
Never try to fit a target audience. Write what is true to the characters in their settings and the audience will find you.
I don't have a problem if someone else were to say that one of my characters is a good one and another one is not and is a bad one. I try myself not to have any judgment towards my characters, but certainly the audience might.
First of all, don't mix your hairpins up with mine! You .... Oh! All right, mix your muck with mine. Mix it! Mix your rags with my tatters! Mix it all up.
Each night, we try something new, play different songs, see what works, what goes down well, mix it up a bit until we find the right mix.
There is always a mix of apprehension and excitement before you try songs out on a new audience.
Unlike most wars, which make rotten fiction in themselves - all plot and no characters, or made-up characters - Vietnam seems to be the perfect mix: the characters make the war, and the war unmakes the characters. The gods, fates, furies had a relatively small hand in it. The mess was man-made, a synthetic, by think tank out of briefing session.
I don't try to intellectualize characters too much. But I always think of the audience. I always make sure that my characters are likeable.
I think it’s really, really important to mix it up as an actor, to try to get as much kind of varied experience as you can, not only for your own personal growth as an actor but for the audience to keep them guessing about what you’re going to do.
I think it's really, really important to mix it up as an actor, to try to get as much kind of varied experience as you can, not only for your own personal growth as an actor but for the audience to keep them guessing about what you're going to do.
I have a diverse audience, which is great, because I like doing things that are a bit more obscure, and I love doing things that are very popular as well. Each has its own bit of joy. So I try to mix it up.
It is a curve each of them feels, unmistakably. It is the parabola. They must have guessed, once or twice - guessed and refused to believe - that everything, always, collectively, had been moving toward that purified shape latent in the sky, that shape of no surprise, no second chance, no return. Yet they do move forever under it, reserved for its own black-and-white bad news certainly as if it were the rainbow, and they its children...
I'm not someone who wants to be second-guessed at all.
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