A Quote by Daniel Mays

I certainly always do draw upon stuff in my life. You do that instinctively as an actor. — © Daniel Mays
I certainly always do draw upon stuff in my life. You do that instinctively as an actor.
The best place to find material is in real life. I've always maintained that it's not until the mid-20s that you have enough of a life to draw from. There's nothing better for a comic than to go through some bad stuff - and some good stuff, like getting married.
I always find the more you can draw on real life characters, people, situations, it works better. Certainly for designing a character, I prefer to draw on real people rather than other guys I've seen in movies, rather than 'here's my version of Clint Eastwood' or whoever.
An actor is an actor is an actor. The less personality an actor has off stage the better. A blank canvas on which to draw the characters he plays.
Every poet has a certain amount of "stuff." That's what you draw from for imagery. The more stuff you know well, not simply intellectually but sensually, emotionally, intimately, the wider the pool from which you draw.
Everything in life, is a question of drawing a life, John, and you have to decide for yourself where to draw it. You cant draw it for others. You can try, of course, but it doesn't work. People obeying rules laid down my somebody else is not the same thing as respecting life. And if you want to respect life, you have to draw a line.
The instrumental pieces are compositions, certainly, although that's not the language that I instinctively use. They're not scored, and arrangements are often arrived at collaboratively. I always choose to play with people whose input I desire.
It's funny because, if you're not an actor, people always tend to say, 'How do you memorize all those lines? Is that really hard?' I'm always like, 'That's just a small part of it. I have to seek my craft and my emotions' - you know, all this gross, actor-y stuff.
I'm not that good of a drawer. I don't know how people just draw stuff out of their head. I'm always creating schemes. If I have to draw someone sitting in a chair, I have to go find a chair, sit in it, and take a picture of myself sitting in it.
I'm certainly a young actor. I'm certainly those two things. Actually, I'm not even young anymore; I'm 29. So, I'm an actor.
I don't like to write rhetorically or get on a soapbox. I try to make the stuff multi-layered, so that it always has a life outside its social context. I don't believe that you can tell people anything; you can only draw them in.
My best stuff as a teacher was always to find the problems within each individual actor, and I'll suggest things that I know that particular actor will have difficulty with.
Like any other actor, I draw on life experience.
Our wishes never seem so little desirable as when on the verge of accomplishment; we draw back instinctively, they look so different from what we expected.
I'm an actor. My life as an actor depends on who sends me what. I'm just taking the best stuff that I can find that's sent my way, regardless of how big or little the paycheck is.
Well, an actor is an actor is actor, to paraphrase someone or other and the opportunity to work, to have a steady engagement, certainly seemed like an appealing concept to me.
One must always draw, draw with the eyes, when one cannot draw with a pencil.
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