A Quote by Daniel Mays
I'm just drawn to something that has a good story. 'Outcasts' didn't do so well, but I really admired the premise behind the show.
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I became more curious about the story behind the story [in the House of Cards]. So what was really going on behind the headline? And it's a little bit sad that that show, it doesn't seem so much like entertainment the way it did back when we started doing it.
Oddly enough, I've always really loved Nightcrawler. You know who else they didn't use enough was Phoenix. I just thought her story line was so tragic. I was just really drawn to that character as well.
I get up in front of a bunch of kids and say 'Hey, I'm gonna tell you a new story. Who wants to be in a new story?' Well some kid always sticks up their hand and that gives me a name, but it doesn't give me a story. I just say whatever comes to my mind and usually it's not that good. Every once in a while, however, I say something that turns into a really good story.
When I write something simple I'm always really proud of it. When you write something that simple with that much air in it and the whole premise behind it is something pretty obvious - that everybody wants to be happy and free - the song is sort of an exercise in not forgetting that's what you really want and what you really need. We can get caught up in a lot of other stuff.
I was working in this very bombastic style. I didn't really know about style. I didn't think about it: I did what I was interested in, what I was attracted to, what I was drawn to. I was drawn to color, and I was drawn to humor, and I was drawn to sexuality and spontaneity. It was all really intuitive. I never really thought, "Well this is the style...
We got kind of into a rhythm at 'Parks' because there were so many characters that we had an A story, a B story, and a C story just about every episode. So by the middle of that show's run, we always had three stories, and it worked really well.
I'm drawn to a good story, really, as I hope most people are. For me, it's the story that's going to stay with you eventually, not necessarily the genre. I go to watch a film because of the story, not because it was a Western or a comedy.
I've always admired the tradition of storytellers who sat in the public market and told their stories to gathered crowds. They'd start with a single premise and talk for hours - the notion of one story, ever-changing but never-ending.
A lot of artists fail when they try to act, and they flop. So when I get into acting, it's going to be to do it well, something good, something of quality. I want people to say, 'Wow, that movie' - or that show or whatever - 'turned out really well.'
I love a good ghost story, and I love to just get in there and really just find the truth behind these stories.
You know, we certainly have a great budget on the show, but the expansions to world of the show really arise because, and this is kind of the idea of the premise of the show, where is each week you're kind of meeting . . . It's random access.
Good story' means something worth telling that the world wants to hear. Finding this is your lonely task...But the love of a good story, of terrific characters and a world driven by your passion, courage, and creative gifts is still not enough. Your goal must be a good story well told.
In design I look for something I'm drawn to. I try to look for an immediate connection with something - something I just fall in love with. I feel if people have to explain to you why it's good, it's not so good.
I believe a novel must first of all be a good story. My hope is that the spiritual message is woven in so well, is such a part of the fabric of the story and of the characters' lives, that it is subtle but meaningful. This is difficult to do well and is something I constantly endeavor to improve.
In terms of performance, something unexpected is always good, it's preferable if it's unexpectedly good. But unexpectedly bad has a lot to say for it as well. It's always nice to be able to look back on a show and say, "Oh, that's the night that this happened," and a lot of the worst memories are better than the shows with no memories. A good rehearsal is a lot harder to describe. A lot of rehearsals that end up feeling best are the ones where something really bad was happening, and you just kind of got past it and fought through it. Just dealing with things that are inevitable.
Art is so valuable that I think its misuse is really dangerous. When it's used well, when it's telling a story well or creating representation or visibility for something that's really lacking, it can really save lives.
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