A Quote by Daniel Pearl
Antonio Stradivari of Cremona, Italy, made about 1,200 violins, half of which still survive. After his death in 1737, factories churned out hundreds of thousands of copies. And every day, people bring violins with Stradivarius labels to appraisers, thinking they have bought the genuine article for a song.
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In the late 1600s the finest instruments originated from three rural families whose workshops were side by side in the Italian village of Cremona. First were the Amatis, and outside their shop hung a sign: "The best violins in all Italy." Not to be outdone, their next-door neighbors, the family Guarnerius, hung a bolder sign proclaiming: "The Best Violins In All The World!" At the end of the street was the workshop of Anton Stradivarius, and on its front door was a simple notice which read: "The best violins on the block."
I inherited a painting and a violin which turned out to be a Rembrandt and a Stradivarius. Unfortunately, Rembrandt made lousy violins and Stradivarius was a terrible painter.
'Tis God gives skill, but not without men's hand: He could not make Antonio Stradivarius's violins without Antonio.
Charlie Chaplin is the greatest artist of the 20th century. He takes me from laughter to tears in seconds. And he was one of the very first funny men. It's like the original violins were made in Cremona and there's never been any better since. Sometimes the best come right off the bat.
Sometimes in films it's nice to have violins on either side, rather than on one side, so you've got more of a stereo picture with the violins. Sometimes it's good to have the basses in the middle.
A guitar is a piece of wood, and if this piece is resonating in a period of 40 or 60 years, it kind of gets to know what it is after awhile... the reason violinists play violins that are hundreds of years old. The wood learns to sing.
I drew it over my skin like a violins bow, No one would ever hear the song of my shame.
I don't sleep with a violin in my bed, but there is something very magical about the instrument. You open up the case; it's a masterpiece, it's gorgeous, the varnish is still there from 300 years ago. People who know violins, they look at it and it's almost like a face.
Kids would come up to me after concerts and give me drawings they've made of violins or, you know, landscapes with a violin floating in it or some sketch of a concert or a portrait of me.
We are so not breaking out the violins and pity partying.
I do a meet and greet after every show in which I tell the audience that I would love to thank every single one of them for coming. Which a lot of people take me up on! So I get to meet hundreds and hundreds of people every night, night after night.
Every day seems to bring news about another for-profit college scam. Hundreds of thousands of students have been deceived, misled, and harassed into enrolling at these schools where they end up with a mountain of debt and a worthless degree.
'Jigarthanda' will be the first in the Kannada industry to do this type of an experiment. All these days we use to do our recordings in Mumbai, Hyderabad, or in Chennai. But this time we have recorded in three different countries: Spain, Italy and the U.S. We have used around 50 foreign spring orchestra including violins, etc.
It doesn't dawn on this depraved bourgeois world that this is positively a sin against all reason; that it is criminal lunacy to keep on drilling a born half-ape until people think they have made a lawyer out of him, while millions of members of the highest culture- race must remain in entirely unworthy positions; that it is a sin against the will of the Eternal Creator if His most gifted beings by the hundreds and hundreds of thousands are allowed to degenerate in the present proletarian morass, while Hottentots and Zulu Kaffirs are trained for intellectual professions.
Well, what's interesting, I try not to think about the radio when I'm writing a song. I want people to love the song, and that means it might not be exactly thinking about the radio, but it's thinking about your audience and saying, 'I want people to like this song after it's done.'
I moved out to Los Angeles with the idea of becoming a director, which thousands, if not tens and hundreds of thousands, of people do, every year. It's a very competitive field, of course. I immediately got swept away into the visual side of things, starting with visual effects, and then designing.
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