A Quote by Daniel Petrie

The second Cocoon questions that and deals much more directly with the value of living in the real world with its trials and tribulations. I would say it's about that and not about aging or death.
Life is full of trials and tribulations. It's dramatic when you don't treat people right when you're in the tribulations, but I know now how to get out of it. You have to make a decision to say 'No more', and then you know what to do when the trials happen.
I don't want to talk about my trials and tribulations. Once you reveal even part of what your real problems might be in life, they come back in a deformed way.
I just would like to say that over more than a quarter-century as a scientist and a believer, I find absolutely nothing in conflict between agreeing with Richard [Dawkins] in practically all of his conclusions about the natural world, and also saying that I am still able to accept and embrace the possibility that there are answers that science isn't able to provide about the natural world - the questions about why instead of the questions about how. I'm interested in the whys.
When you're 21 you think, "Old people sound like this. Old people think like this." I don't think my ideas about aging and about eternal life changed that much, but it became more poignant to me as I did get older and I could better imagine, as you sort of inch closer to death every day, why legacy, more than aging, becomes important to people.
I am appalled that the term we use to talk about aging is 'anti'. Aging is human evolution in its pure form. Death, taxes and aging .... We are ALL going to age and soften and mellow and transition.
At teenage parties he was always wandering into the garden, sitting on a bench in the dark . . . staring up at the constellations and pondering all those big questions about the existence of God and the nature of evil and the mystery of death, questions which seemed more important than anything else in the would until a few years passed and some real questions had been dumped into your lap, like how to earn a living, and why people fell in and out of love, and how long you could carry on smoking and then give up without getting lung cancer.
Those who are concerned with the arts are often asked questions, not always sympathetic ones, about the use or value of what they are doing. It is probably impossible to answer such questions directly, or at any rate to answer the people who ask them.
We really have to think about aging because women are living longer than men. More of the people who need care are women. A lot of them are living alone, with no one to care for them, or they're shunted into institutions. I would like to see a sensible aging policy more like what the Nordic countries have. They're cutting back those programs, but there you can still have in-home nursing care. You don't have to rely on your children. I personally don't want to be a burden on my daughter.
History, at its best, always tells us as much indirectly about ourselves as it does directly about our predecessors, and it is often most revealing when it deals with episodes and phenomena that we find repulsive.
I really don't do fat jokes. I talk about the trials and tribulations of being a large mammal in America.
Lyrically, 'Planets' is the precursor to 'Acid Rain'; it's about a meteoric, intergalactic war that results in an apocalypse and the human species aligning together to go fight something much better than us, our individual trials and tribulations.
I wrote the song "Show Me" as a prayer to God asking simple, honest questions about life and death and why there is so much suffering in the world. As I grew with the song I realized I shouldn't limit these questions solely to God; I should ask those questions of others and of myself.
There is a weirdness about having a famous pre-pubescent in the house when you are going through the trials and tribulations of adolescence.
All of the drama with my family and me and my mom and the separation between us and all that crazy stuff - I actually wrote about that. I have a song called 'Dear Mom,' and it's about the trials and tribulations with my mom, so I wrote about that and just everything that I've been through.
I feel about aging the way William Saroyan said he felt about death: Everybody has to do it, but I always believed an exception would be made in my case.
I consistently encounter people in academic settings and scientists and journalists who feel that you can't say that anyone is wrong in any deep sense about morality, or with regard to what they value in life. I think this doubt about the application of science and reason to questions of value is really quite dangerous.
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