A Quote by Daniel Pinkwater

I sort of always like to write starting with when I learned how. — © Daniel Pinkwater
I sort of always like to write starting with when I learned how.
Every time you finish something ... you figure you've finally learned to write, right? Then you start something else and it turns out you haven't. You have learned how to write that story, or that book, but you haven't learned how to write the next one.
As always, the blessed relief of starting, a feeling that was like falling into a hole filled with bright light. As always, the glum knowledge that he would not write as well as he wanted to write. As always the terror of not being able to finish, of accelerating into a brick wall. As always, the marvelous joyful nervy feeling of journey begun.
I mean, my wife is always like - I don't write lyrics. So I couldn't, like, really technically write a song for anyone. I could write a very nice instrumental. So she always sort of gives me a hard time because it's just such a ridiculously impossible standard to live up to, that your step-dad wrote that song for your mom.
Writing is learned by imitation. If anyone asked me how I learned to write, I'd say I learned by reading the men and women who were doing the kind of writing I wanted to do and trying to figure out how they did it.
I've always been sort of entrepreneurial. ... I felt that I needed to learn how to write and produce so I could write my own thing and not worry about Hollywood finding me.
I didn't know how to write a novel, so I sort of let it happen in waves. The only way I could write it was to think like scenes in a movie.
I learned at an early age how to traverse the white world, the white-dominant world. I learned, and I was successful at it. I learned the nuances - I learned how to act, how to be - but I always was conscious and aware of my blackness.
It's good for people to be able to see an archive of an artist learning how to write and getting better, especially for teenagers who are starting to write: to see that I started out making pretty easy and weird and bad-sounding music and that you can teach yourself how to write over a long period of time.
We were always in the shadows of the stuff that was getting more attention. So people learned to listen to us slowly over time. And, frankly, we learned how to listen to ourselves. It takes us a long time to write a song that we all really like, so it makes sense that it would take a while for the listener to get there, too.
It's like going back to an old girlfriend you're happy you got away from. You wouldn't replace the experience at all. I'm like, "I'm glad I met you. I learned so much from you. I learned how not to be. I learned how to be. But I'll be damned if I have to go through it again."
It is so weird to be on this side of that, because when you're starting out, and it seems like you're starting out for so long, you look up to the people who have made their mark. And you sort of want to be that.
I learned how to stop crying. I learned how to hide inside of myself. I learned how to be somebody else. I learned how to be cold and numb.
I feel like some sort of fiction-writing hobo, jumping trains and always hoping I'll find a good place to start a fire in the next town. And I keep having these panicky episodes where I corner my husband and rant at him: 'I don't have anywhere to write! I can't write! I don't have a place to write!'
I always wrote from a very young age, literally from the time I learned how to read and write.
I have learned that trying again is important and decisivness is good. I have learned that silence hurts. I have learned about starting over and releasing pride.
I learned that you can't write a book in the margins of your life. I'd forgotten how much uninterrupted time it takes to write chapters, and how you have to push everything else aside and really focus.
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