A Quote by Daniel Radcliffe
What first attracted me to doing Swiss Army Man was just how mental it was - how insane and wonderful and original the script was.
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Every day I would come to set [of Swiss Army Man] going like, "How are we going to do this?".
There's no straight line between closing the mental institutions and filling the prisons but there is some sort of relationship. And it's hard to tell how much mental illness among prisoners came in with them and how much is because of prison. I just imagine the real tragedy is there's probably a huge number of people who went in a little bit f - ked up and left completely insane because it's just a horrible treatment.
Yeah. And it was too much of what you shouldn’t be doing instead of what you should be doing. I get enraged when people start telling other people how to live their lives. It drives me mental. This Prop.8 thing just drives me mental
How poor, how rich, how abject, how august, How complicate, how wonderful, is man!... Midway from nothing to the Deity!
I remember Paul [Dano] had said at one point that when he finished this film [Swiss Army Man] was the strongest he'd ever been just from lugging me around for [several] weeks.
The Swiss have an interesting army. Five hundred years without a war. Pretty impressive. Also pretty lucky for them. Ever seen that little Swiss Army knife they have to fight with? Not much of a weapon there. Corkscrews. Bottle openers. ‘Come on, buddy, let’s go. You get past me, the guy in the back of me, he’s got a spoon. Back off, I’ve got the toe clippers right here.
It was a lot of fun to play a character [in Swiss Army Man] with no inhibitions, and with no knowledge of the world, and who comes into the world kind of like a blank slate. It means there's no template or blueprint for how you need to play certain scenes.
We can't really understand just how wonderful Heaven will be unless we first know how wonderful each of us will be when we get there.
I was actually thinking about starting like an app where you can watch videos of me carrying Daniel [Radcliffe in Swiss Army Man].
What the army is doing is cleaning those areas, and the indication that the army is strong is that it's making advancement in that area. It never went to one area and couldn't enter to it - that's an indication. How could that army do that if it's a family army or a sect army ? What about the rest of the country who support the government ? It's not realistic, it doesn't happen. Otherwise, the whole country will collapse.
If you could call me buff, my version of buff was when I finished that film [Swiss Army Man].
When you first read a script is the purest moment. That's when you can understand how an audience will ultimately receive it. The first reading of the script is so important because you're experiencing it all for the first time, and it's then that you really know if it's going to work or not.
How poor, how rich, how abject, how august, how complicate, how wonderful is man! Distinguished link in being's endless chain! Midway from nothing to the Deity! Dim miniature of greatness absolute! An heir of glory! A frail child of dust! Helpless immortal! Insect infinite! A worm! A God!
I think it was a lot of trust as well [between me and Daniel Radcliffe]. If we didn't have that, it could be a very painful film [ Swiss Army Man] to go make.
Every Man being conscious to himself, That he thinks, and that which his Mind is employ'd about whilst thinking, being the Ideas, that are there, 'tis past doubt, that Men have in their Minds several Ideas, such as are those expressed by the words, Whiteness, Hardness, Sweetness, Thinking, Motion, Man, Elephant, Army, Drunkenness, and others: It is in the first place then to be inquired, How he comes by them? I know it is a received Doctrine, That Men have native Ideas, and original Characters stamped upon their Minds, in their very first Being.
For me, I just like to be as fun as possible, but I do like to bring a lot to a character. Given the script or the show, I know my boundaries, limits, and how far I can go with it. As far as me choosing these characters that have a lot of personality, I don't necessarily think it's intentional. I just think that I try and come up with a backstory of who they are, depending on the script or how rounded these characters are, and just go from there.
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