A Quote by Daniel Radcliffe
Paul [Dano] was amazing at carrying me around [in Swiss Army Man]. I wanted to be there as much as possible but didn't want to hurt Paul's back, but Paul often chose me over the dummy many times on the set. But yeah, to be honest, a little bit of preparation I did with my friend in my flat could never have prepared me for quite the level of physical reliance we would have on each other.
Related Quotes
I remember Paul [Dano] had said at one point that when he finished this film [Swiss Army Man] was the strongest he'd ever been just from lugging me around for [several] weeks.
We would choreograph [ with Paul Dano] before each scene [in Swiss Army Man] and very quickly got to a place where we could improvise physically in scene and know that the other person would respond in character appropriately. So that [dynamic] was a lot of fun.
We sing a lot of the soundtrack in this film [Swiss Army Man] - me and Paul Dano - and on the last day of filming we had to just get into the back of our sound mixer's van and record a really crappy, rough version of the singing then. For some reason that was one of the most fun days.
For me as a midfielder, Paul Scholes was the best possible teacher. When people ask me my hardest opponent, I always refer to Paul in training. Facing him improved me so much because his astonishing quality gave me something to aim for. He never gave the ball away, he could nutmeg you, he could make you look a fool, his range of passing was remarkable, his touch and awareness, everything was top notch. Seeing Scholesy made you stand back and realize you had a long way to go, because he was awesome.
Being on a Paul Thomas Anderson film, the best decision an actor can make is to listen to Paul Thomas Anderson. Because he's probably not going to steer anyone in the wrong direction. I would always say go with your gut on any other movie set, but with Paul, I would say go with Paul's gut.
I think it was pretty obvious early on that we had both come with kind of the same attitude of "Let's just [jump] in," and neither of us was going to be precious about it. I feel like the thing that we learned is, weirdly, the most intimate thing or a very intimate thing you can do to somebody is hold their tongue with your fingers. When Paul [Dano] is making me talk [in Swiss Army Man].
You're not going to look at Paul and see him slacking, not carrying his weight. All the other stuff, 'Paul doesn't lead' and all that? That's fine. Go grab guys that lead, then. Let me help them lead.
I only ever asked two people to work with me as a partner. One was Paul McCartney and the other Yoko Ono. Paul and me were the Beatles.
(Offensive Coach) Paul Hackett realized that Joe Montana knew more about the offense than he did, but when the meeting was over, Paul saw that Joe had taken three pages of notes. He documented exactly how Paul wanted to run the play, as well as all of the basics of it and its details. That's what a professional does.
I felt that film (Let It Be) was set up by Paul for Paul. That is one of the main reasons the Beatles ended. I can't speak for George, but I pretty damn well know we got fed up of being sidemen for Paul. After Brian died, that's what happened, that's what began to happen to us. The camera work was set up to show Paul and not anybody else. And that's how I felt about it.
Paul persuaded me to join the band. I would never have had the courage otherwise. It was fun at the beginning. We were playing just for fun, with Paul's group.
Prince Paul is another good friend; he's like an older brother. He'll criticise and be brutally honest with you. That's what I like about Paul.
You start Saul, and end up Paul,' my grandfather had often said. 'When you're a youngun, you Saul, but let life whup your head a bit and you starts to trying to be Paul - though you still Sauls around on the side.
I have a lot more writing experience than Paul Dano has, so to be able to put that experience to use in exercising his vision was almost an acting exercise: How would I write if I were Paul? When I look at it, it feels so completely his, but it's also mine.
Paul Edgecomb: What do you want me to do John? I'll do it. You want me to let you walk out of here and see how far you get? John Coffey: Now why would you want to do a foolish thing like that? Paul Edgecomb: When I die and I stand before God awaiting judgment and he asks me why I let one of HIS miracles die, what am I gonna say, that it was my job?
I love a statement by the apostle Paul, in the Book of Philippians in the Bible. I think the Corinthians had been writing to Paul, telling him that old men were chasing young women, nobody was tithing - and all that must have run Paul crazy. He wrote back and said, "If there be anything of good report, speak of these things." That's one of my principles.It's another discipline that I encourage myself to employ - to, as much as possible, say the courteous thing, and then be it.
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