A Quote by Daniel Radcliffe

Acting is really instinctual and I think you can overanalyse what you're doing. A lot of it has to be based on instinct. — © Daniel Radcliffe
Acting is really instinctual and I think you can overanalyse what you're doing. A lot of it has to be based on instinct.
I think a lot of the inspirations for me are very instinctual and subconscious. I don't over intellectualize stuff much. It's a very instinctual thing.
When I read something, first I have an instinctual, emotional response to it. But of course, acting isn't only just feeling an instinct for what's going on in the moment with the character. You have to be able to carve it out and consider, follow, and create the whole journey that the character you play is going through.
When I make a movie, I don't break it down and analyze it. I could but it would get in the way of doing a job - on instinct based on all the research we did going in. you want to trust yourself and your director and your acting partners in the circumstances you're shooting. I don't like to have any kind of overview.
I try to think of acting in terms of thinking and doing. People think of it as, "Oh, let's get inside this guy." They think that acting is being, or feeling, or emoting. It's as much doing. One of the first things you do as an acting student is ask, "Can you say words and do a task at the same time, like sweep a floor?" You get to watch the human condition, and there's always a "doing" aspect of it. This couple, they're carrying backpacks, where are they going? Students? Or are they carrying instruments? It stimulates the imagination. So acting is doing ... and I forget how we got off on that.
I'm not really sure if I have anything that inspires me. I think what goes into my work is everything beforehand that I do with my dad. He teaches me acting, and I think maybe without him it would be pretty hard. I started acting for fun, really, because my dad's an actor and my sister's an actor, so I started doing it and it was normal. But it got places really fast, and I started doing feature film auditions and stuff.
When you're an actress you are in a very specific position, cerebrally, I would think you know. You are a thinking person but you are in a certain perception of the world between really being conceptual and completely stupid. So you are in between, with a lot of intuition and instinct. And that's not completely being intellectual because I think intuition is more blurred. It comes from intuition. Instinct. More than really reasoning.
Generosity is revolutionary, counter-instinctual. Our survival instinct is to care only for ourselves and our loved ones. But we can transform our relationship to that survival instinct by constantly asking ourselves, ‘How can I use my life’s energy to benefit all living beings?
Reason must sit at the knee of instinct and learn reverence for the miraculous instinctual capacity for creation.
I never consciously got into comedy. It was sort of one of those things where I was a theater student, I was acting, I was doing comedy, I was doing dramatic stuff, so it's been something that I've always done and enjoyed doing and had an instinct to be relatively good at.
Reading what a good shot is, based on time and score of the game, based on the shot clock, based on my position - there's a lot of things that go into it. It's a lot of things that you think about based on when to shoot it or when not to.
I'm based in Atlanta so there weren't a lot of people to talk to about fashion because no one was really doing it on the scale that I wanted to do it. I had to do a lot of research on my own.
Actors aren't all the same. They have very different skills. There are actors of intellect who are very thoughtful about everything they do... and then there are actors of instinct who don't know what they're doing until the cameras roll... My father was actually quite thoughtful about what he did, while my mother was much more instinctual.
A radio play actually ended up being the first acting job I ever had. A lot of times when I'm on camera, I'm playing characters that are more like myself, and I don't get to do a lot of real character work. But when you're doing animation, you are the very epitome of colorful characters. I think I'm just really into make believe.
When I'm improvising, I'm out of my head. I've done a lot of projects recently where there hasn't been a script. It's all been based on outlines. At first, that's terrifying, just because you don't have the words in front of you and you don't know how it's going to come out, but that's what's really exciting about it. You don't know what's going to happen. It really forces you to listen to the other people, and I think the most natural acting comes out of that.
I feel really lucky because I discovered acting when I was really young, I was like nine and I think I had a really happy childhood and youth. I was doing what I wanted.
I don't think talent or an instinct for acting is something you can teach.
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