A Quote by Daniel Radcliffe

Every day I would come to set [of Swiss Army Man] going like, "How are we going to do this?". — © Daniel Radcliffe
Every day I would come to set [of Swiss Army Man] going like, "How are we going to do this?".
I think there was a lot of working out the arc of how Manny [Daniel Radcliffe] talks. Scene to scene [in the Swiss army Man], if I would start talking a little too well, they would come in and say like, "Hey, you need to [dial back] your ability to speak" - things like that.
I think it was pretty obvious early on that we had both come with kind of the same attitude of "Let's just [jump] in," and neither of us was going to be precious about it. I feel like the thing that we learned is, weirdly, the most intimate thing or a very intimate thing you can do to somebody is hold their tongue with your fingers. When Paul [Dano] is making me talk [in Swiss Army Man].
When I was in art school, I thought art was something I would learn how to do, and then I would just do it. At a certain point I realized that it wasn't going to work like that. Basically, I would have to start over every day and figure out what art was going to be.
I think that from day one, when it became clear that 'Wicked' was going to have a life, that we have set a standard for ourselves that we are never going to shortchange the audience; that every person that we put into that musical is going to be held to the highest standards; and that nobody is going to be coasting.
What first attracted me to doing Swiss Army Man was just how mental it was - how insane and wonderful and original the script was.
It's such a pleasant surprise when you come on set and you find someone in charge like Ken Branagh or James Ivory. You know that you're going to do a day's work and at the end of it, it's going to be good.
I regretted not being a person in shape many a day while we were making this film [Swiss Army Man].
I would like to do something autobiographical, set to music. I don't know how I'm going to do it, but I'm going to try.
In the old days when I first was coming up, you would turn up on set in the morning with your coffee, script, and hangover and you would figure out what you were going to do with the day and how you were going to play the scenes. You would rehearse and then invite the crew in to watch the actors go through the scenes. The actors would go away to makeup and costume and the director and the DP would work out how they were going to cover what the actors had just done.
I would say that the emotional content of the film [Swiss Army Man] took me by surprise, and sometimes I would probably want to capture the unique tone of it.
If I could eat whatever I wanted every day, I would have Domino's pizza with pasta carbonara inside every slice. And at night, I would have Neapolitan ice cream until I felt absolutely toxic. And then I would drift off telling myself, 'It's going to be O.K... It's going to be O.K. you're going to train in the morning.'
So many computer languages try to force you into one way of thinking and Perl is very much the opposite of that approach. It's kind of like a, well, sometimes Perl has been called the Swiss army chainsaw of the internet, but it's more like a Swiss army machine shop. It really gives you a lot of tools, some of which are dangerous, but it lets you get your job done very quickly.
I like to sit down every day and not know where the book is going. I have no idea where the book is going to go or how it's going to end as I'm writing it.
The Swiss have an interesting army. Five hundred years without a war. Pretty impressive. Also pretty lucky for them. Ever seen that little Swiss Army knife they have to fight with? Not much of a weapon there. Corkscrews. Bottle openers. ‘Come on, buddy, let’s go. You get past me, the guy in the back of me, he’s got a spoon. Back off, I’ve got the toe clippers right here.
There is going to come a day when everyone here is going to need keen observation and wit to ridicule George W. Bush. But when that day comes, all we're going to have are tired puns and goofy looks. Because as you would say, we're suffering from the soft bigotry of low expectorations.
Every time my sister and I went on the set with my mother, everyone would be like, 'Oh my god, she's going to become a star.' So in my head, I always thought I was going to be an actress, but not so soon.
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