A Quote by Daniel Radcliffe

I don't know why that is, but English politics is just so overly white. It's very much about the class structure. — © Daniel Radcliffe
I don't know why that is, but English politics is just so overly white. It's very much about the class structure.
One respect in which I'm very much my father's son is how I feel about Joyce. 'Ulysses' is very much about daily life, when you get into this other guy's life and you learn about the things he cares about, and why he cares about them. And then, very indirectly, very subtly, you learn why politics has impacted his life, too.
I don't know much about politics, and I don't want to know. That's why I rarely involve myself in politics.
I think English is very important for tennis players. To be on the tour, it's much more easier if you speak English. So that's why I knew that I have to improve my English.
At least I like to keep it the same. That's why I've got all the same friends. That's why I go back to Leeds as much as possible. I don't know if you know much about England, but Yorkshire is a very sobering place. In the North. It's very gritty. Old mining villages. And people don't really care about celebrities up there. And it's great. And that's why I get back there whenever I can. 'Cause it keeps me very grounded, and it keeps my life very normal, whatever that is.
I don't know how many parts I've lost because a lot of the politics in California are very conservative, and I'm fairly outspoken. I always tried to get as much politics in as I could, because I do believe in class struggle, and I think that's what's left out.
You know, in college, I never got either degree, but I was a double-major in Computer Science and English. And English at Berkeley, where I went to school, is very much creatively-driven. Basically, the entire bachelor's degree in English is all about bullshitting. And Computer Science, which was my other major, was exactly the opposite of that. You had to know what you were doing, and you had to know what you were talking about.
Not to get overly psychological about this, but it's probably why I became an actress in the first place: for that kind of freedom and refuge, as well as for the fact that I just love acting so much.
There are still Negro elites. Many of them are obviously much richer, and perhaps a little more integrated into what remains a white power structure. But those old rituals from the social clubs, to the broadly segregated white and black schools, to an obsessive interest in ancestry, all of that does still exist. Look: we are a class-bound society.
When I talk about 'working class,' I don't talk about 'white working class,'. I talk about 'working class,' and a third of working class people are people of color. If you are black, white, brown, gay, straight, you want a good job. There is no more unifying theme than that.
The degree to which I try to be honest that there's some Donald Trump in all of us. The seduction of the promise of order, the politics of white fear, it's not just some other group of uneducated white people who are susceptible to those appeals. It's everyone. And not just white people, frankly. All Americans have this susceptibility to a politics of fear and order that I think we have to be really honest about.
I don't have an opinion about whether or not politics should appear more in fiction or not, generally. I think politics are a part of life, but a part of life that most people don't think about very much, most of the time. Or, people think about it superficially and they talk about it superficially because they don't know very much.
Growing up was very interesting for me. If you were Haitian, people just automatically assumed that English was a second language. So they had a special class for my brother and I, but we spoke proper English.
I was brought up by the English side of my family, who are very repressed and working class. Absolutely lovely, but very English.
Of course, an English aristocrat might have some contact with the staff downstairs and could adequately say a thing or two about inter-class dramas unfolding in the household. But something less parochial might be harder to come by. This is relevant because stories about the divisiveness of class are by definition stories that straddle class boundaries. A story about a miner in a mining town is not obviously one that speaks to the divisiveness of class. In other words, class doesn't just divide us in the world but it also divides us in the stories we're presented.
I mean, I hate to say it, but I listen to Journey and think, 'Jesus Christ, that is just wrong.' That's why there will never be a Bad English reunion. It's for super white people listening to super white music.
I think mental illness is a slippery slope to talk about these days because people are overly diagnosed, overly prescribed, overly everything.
This site uses cookies to ensure you get the best experience. More info...
Got it!