A Quote by Daniel Radcliffe

I've been working since I was 9, and I've never known a life without a film set. — © Daniel Radcliffe
I've been working since I was 9, and I've never known a life without a film set.
When you're working on a film, it's not theater; you don't have a few weeks of rehearsal. A lot of times you are showing up on set, and you've never been to the place; you've never met the other actors you're working with.
And working on 'Grantchester' is a joy. Ive been in the business for 35 years and Ive never been on a film set that is so joyous and life-affirming.
I've been working steadily as an actor since around 1998. I wasn't well known in the public, but I was a dependable working journeyman.
[Stanley] Kubrick was a fascinating, larger than life guy who had been a friend for many years prior to our working together on that film. I found the best part of working with him to be the long conversations we had between set-ups.
The Internet is part of this ongoing, species-long project we've been working on since we climbed down out of the trees in the savanna. We've been working on it without really knowing it.
I've been singing since I was 8 years old and working in clubs since I was 14. I've been working full time since I was 16.
Whenever you create something that has a gay theme, it's inherently political. It's important that the intentions of the people behind the project be known. In discussing my sexual orientation, I found it to be germane to the topic of the film. It's what made The Green relatable and personal to me, but I've been out since I was 19. I've never been in the closet, so to say.
Since I started working at 15 and never went to college, I didn't know what it was like to be in the real world. I was in my bubble - until I got married, my life was either in a car, on the set, or on location.
Our generation grew up with technology. It evolved as we grew up. This new generation has had it since they were babies. That's crazy. It fundamentally changes they way they understand and think about technology. They've never known life without it, whereas we knew life without the Internet.
There hadn't been one done since the late 70s. I was living in Brooklyn, had no connection to Roger Corman, to no one in this movie. I didn't go to film school. I'm like the person who should have never made this film. But I just decided to put one foot in front of the other. I was writing film articles for magazines at the time. I convinced an editor from one of the magazines that I was working for to give me a shot to do a piece on Roger. This was an excuse to go meet him.
Generally, I've never known quite how to fit in in civilian life, but on set, making a film, I know exactly where to go, how to behave and how I fit.
I've always had a career. I have been working hard since I was 15 years old. Being someone's 'girlfriend' was never what I wanted to be famous for. What makes you 'famous' isn't always what you want to be 'labeled' as or known for.
I've been working in theater, really, since about 1965. I started working with the Mabou Mines about then, and in a way I've always worked in the theater, but it's never been a main part of my work. And it wasn't until Einstein that I kind of shifted into high gear with theater, working with Bob, with Bob Wilson. And since then I find it a very attractive form to work in. It's just an extension of my work.
My education as a filmmaker has been entirely practical. I started working professionally in the film business in 1970, and I've been at it steadily since, and I pay a lot of attention.
There never has been security. No man has ever known what he would meet around the next corner; if life were predictable it would cease to be life, and be without flavor.
For me, I've always taken being on a set as my school, because I've been working since I was ten.
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