A Quote by Daniel Ricciardo

I know that I'll joke around to the last minute I get in the car. But once the helmet's on - it's sort of a cliche, but it's true - it's quite symbolic that that is 'go time,' and I'm ready to have some fun and be bad while I do it.
You wouldn't know it, from some of the things I've said over the years, but I like people. I do. I like people, but I like them in short bursts. I don't like people for extended periods of time. I'm all right with them for a little while, but once you get up past around... a minute, minute and a half, I gotta get the fuck out of there.
If I tell a joke on stage and the crowd laughs for a minute, I stand there for a minute and enjoy them laughing before I go on to the next joke. On TV, if I stand there for a minute while they laugh, I look like an idiot who can't remember the next joke.
I've worked with a lot of people and I like to play with people when it's fun, and people that I have fun with independent of music, do you know what I mean? Where you can just joke and kid around, because you can joke and kid around with somebody and when you get in the pressure cooker of the studio then you can it's just something.
I made some changes, I didn't go around telling everybody I was ready to make changes, I just remained me. I may get more criticism today in putting this book out than I have. You know, maybe this is my time, but I'm ready to take the criticism and answer anybody's questions.
I don't know how to relax. I get so edgy and instantly I'm ready to go. I don't like to waste any time. I try to use up every minute until I get tired, and then go home, rest for an hour, and then go. But I don't ever actually relax.
It's just if one person says anything it becomes click bait and then they start talking about the comedy climate which is hilarious, so no. You know what it is? People are adults and they know they're at a comedy show but every once in a while somebody isn't an adult and then for some reason, you know, it's lazy reporting. They're trying to create this thing that isn't happening. It's not like people go in there and are just sitting with laptops open getting ready to blog about every stupid joke.
As an actor, you're just taking temperature. I am anyway, all the time, and responding appropriately. I was again cast very last-minute for Rushmore and met Wes Anderson, this quite physically and socially awkward man who didn't really talk to me much, a precocious and intelligent young boy. And Bill Murray. And we were sort of left in this bizarre hotel together and taken to strange locations around Houston. That was quite an isolating experience.
Some days you go bear hunting and you get eaten. Some days you come home with a nice rug to roll around on, and bear steaks. What they don't tell you as a kid is that sometimes you get the rug and steaks, but you also get some nice scars to go with them. As a child you don't understand that you can win, but that's it's not always worth the price. Once you understand and accept that possibility you become a real grown up, and the world becomes a much more serious place. Not less fun, but once you realize what can go wrong, it's a lot scarier to go hunting "bears".
No, no, I don't watch football. The last time I tried watching was the last Super Bowl. The problem I have is, you know, the graphic nature of my imagination; when I watch and see them meeting head onto head, helmet onto helmet, what flashes through my mind is what's going on in their brains. It's like torture to me.
For me, there's a bad year of getting started on something. You write bad stuff and it's awkward to throw it out, and you wait around to get some good ideas that maybe do come or don't come. Until eventually you get the voice and autonomy of the characters, the characters have personality, and they sort of pick up the weight and put it on their shoulders. That's when it becomes a little more fun.
For me, it's about having energy in the field and making sure I'm having fun and making sure everyone else around is having fun, whether it be telling a joke or something like that. It's to make sure we're all upbeat and we're ready to go.
It's like I'll sit down and put my hands on the piano or the guitar, and then I'll hear a sound or I'll feel a chord that will resonate and then I'll get something happening in my voice. My voice is like a car that I get into and drive but I don't know where I'm going. And I record everything. And often, I sort of get into a state, a creative state that is, where I'm just feeling around melodically, and playing things off the top of my head. Then I go back and listen to it and for the first time, hear what I just did. It's like Elvis has left the building while the thing is happening.
If you're going to go into the movie business it is so full of heartbreak and you get so close and it doesn't happen and then once in a while it works out and it is the fantasy, like it is that dream. So riding the highs and lows of it you got to have an iron constitution and you got to be able to do what David Dinkins actually one said - "Well you know some days are good, some days are bad, but anytime there is a bad day I know the next day is going to be good and vice versa, so you just can't put too much stock in that moment."
It's partly true that I am not seen that often in public. Well, I'm just socially awkward, especially around people I'm not familiar with. But once you get to know me, I'm quite a chatterbox.
Some people treat seeing me as if they just won a car on 'The Price is Right.' The feet get going, and the hands start flapping, and it's really quite amazing. It's a little scary: you can't have more than two or three of them at the same time because someone might get hurt. But it's great fun.
Sometimes I take a while to get ready to go out. It's not excessive, but it takes me some time to find clean clothes that match.
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