A Quote by Daniel Tammet

I'm very comfortable with the idea of there being late bloomers, and for me, of course, there's no difficulty at all in the way that I think of talent and achievement and so on.
There are always late bloomers [in sport], no matter size, although big men are more often late bloomers.
I think being able to age gracefully is a very important talent. It is too late for me.
I think that the whole idea of ‘no regrets’ was always a silly idea to me, because of course I regret all the places I went wrong, but that’s what creating anything, and being human, is all about. Of course if I could go back and knew what I know now, I absolutely would do it differently, I’d do it the right way, but part of being human is that we can’t go back, we can only hope that if we come across that moment again, we’ll do it the right way.
The hardest thing is that I never do anything the same way twice, and when I'm on the air, I'm very unscripted, and I'm very comfortable in that role. So me being scripted is not a comfortable place for me.
I'm not very comfortable being an actorvist so to get to do something that I believe in is a much more comfortable way for me to be political.
There are people who've challenged me on that, but I think there still are. Not everybody looses their virginity when they're 12, there are always these girls who are sort of outside the norm, who have only each other to hang with and talk to. Who are what you would call late bloomers; they don't know it now but when they're 25 they're going to be pretty damn interesting.
It's a young country and a German only feels comfortable being with the masses. They have very little talent at creating an inner life, privacy. And I think there must be something wrong.
I was one of those late bloomers when it comes to motorcycles. I didn't get my motorcycle license until I was 25.
I kind of shy away from that idea of being an actress because it seems to me to be such a cliché. Also, if you want to be a serious actress, then it's quite difficult to make that transition without being the blond bimbo in the opening credits. Maybe I'm being idealistic about acting and the idea that they would hire people purely based on their talent and not on their looks. But I don't know if I would be a very talented actress anyway.
I had no idea that that was around in the family anywhere. Maybe it never was. But - so they broke the way for me, if you know what I mean. I have no idea where I got the idea from to do what I do. But I think they - Ian and Alistair, my brothers kind of opened a lot of doors for me onto the world - you know, made it seem to be a very, very interesting place.
Cinema is a thankless industry where sometimes to appear on the cinematic scenery is a thing for late bloomers and people who are very patient. The places are accounted, and the space is often unwelcoming. Money is rare, and independent voices are muted by the almost complete absence of risk takers.
Nobody can seem more politicised and glamorous than the baby-boomers. But their kids are surprisingly robust and late bloomers.
I’m not comfortable with the idea of my sex appeal, but I know in my job I have to use it. I wish I could say I got to this point in my career based on my talent, but I don’t think that’s true.
I think being a guest star on an ongoing TV show can be a nightmare, and I've done it a lot. You're walking into this family who's very comfortable where they are, and you have to jump on the train and be artificially comfortable. That's a very hard thing to do.
It was an impressive achievement, of course, and a human achievement by the members of the IBM team, but Deep Blue was only intelligent the way your programmable alarm clock is intelligent. Not that losing to a $10 million alarm clock made me feel any better.
I think being able to age gracefully is a very important talent. It is too late for me. The horse is out of the barn... In past generations, people would try to play younger than they really are. My trick is, I don't try to play younger than I really am.
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