A Quote by Daniel Tammet

Working with the doctors is a fascinating two-way process. I am interested in what they suggest about why I'm the way I am. But if they could make me 'normal', I wouldn't want that. I've been like this for so long, it's what makes me .
That's always been like a fascination to me - watching my family, three sisters and a brother and all growing up basically in the same situation and each one being so totally different and going on to completely different areas and directions. But for me to go into psychoanalysis really steadily, would be putting too much energy into trying to figure out why I am the way I am... Basically this is how I am and it's alright and I don't want to know why I'm this way.
I don't have a favorite process. My favorite process is the right process for the person I am working with. I can fit in any process as long as the director respects who I am and doesn't try to put me in a situation to get something out of me - if I can give it without that situation.
I could have kisses like that for the rest of my life. Kisses that don't know who I am. Kisses that make me feel more and less than what I am. But my finger tap tap taps on my leg and reminds me that I am not who Adam thinks I am, and it makes me want to cry. It's not that I don't deserve his kiss. It's that the person I am can never really share a life, a soul, with the person he is.
I like the idea of the idler wheel - it just sits in between things, but it makes such a big difference in the way that the machine is working. That concept has always been something that has interested me, but I didn't really know why.
I know the truth now. You've figured out I'm falling in love with you and you're trying to make me stop by hurting me this way. Well it won't work. One way or another, I'm going to make you care about me. Yes, I am, unless your cold attitude kills me first. It's only fair, Connor. If I'm going to be miserable, by God, so are you. I am not a common wench and I will not be treated like one.
I am jealous of everything whose beauty does not die. I am jealous of the portrait you have painted of me. Why should it keep what I must lose? Every moment that passes takes something from me and gives something to it. Oh, if it were only the other way! If the picture could change, and I could be always what I am now! Why did you paint it? It will mock me some day—mock me horribly!
The only way to be a champion is by going through these forced reps and the torture and pain. That's way I call it the torture routine. Because it's like forced torture. Torturing my body. What helps me is to think of this pain as pleasure. Pain makes me grow. Growing is what I want. Therefore, for me pain is pleasure. And so when I am experiencing pain I'm in heaven. It's great. People suggest this is masochistic. But they're wrong. I like pain for a particular reason. I don't like needle's stuck in my arm. But I do like the pain that is necessary to be a champion.
I want to be judged by who I am, not what I am. I mean, I am Johnny Weir. Judge me the way you see me, love me the way you see me, hate me the way you see me.
I am not interested in simply working as a director. If I am not making movies that I want to make, that I feel passionate about, or that I feel are hopefully at the level of cinematic quality that I feel they should be then I am not really that interested.
Because You have called me here not to wear a label by which I can recognize myself and place myself in some kind of a category. You do not want me to be thinking about what I am, but about what You are. Or rather, You do not even want me to be thinking about anything much: for You would raise me above the level of thought. And if I am always trying to figure out what I am and where I am and why I am, how will that work be done?
People ask, 'Why would you cast yourself in your movie?' And, for me, it's more like an achievement that I am now not playing all the parts, you know? Like I was for so long, in all my performances and a lot of my short movies. So, that's where I'm coming from, not out of a kind of actress-y sense of myself. I mean, I don't really see myself as an actress, but more from performance: this is how you make something. You do it yourself. You're in it and you write it. I think I keep doing it that way, 'cause it's my way. It's what makes me feel like I know how to do it.
I am not married to any particular genre. I am more interested in projects that capture my imagination and move me in a way that I can spend a year of my life working on it.
You have to understand. I am no one special. I am just a single girl. I am five feet two inches tall and I am in-between in every way. But I have a secret. You can build walls all the way to the sky and I will find a way to fly above them. You can try to pin me down with a hundred thousand arms, but I will find a way to resist.
I am sometimes referred to as Excuse Me in an annoyed tone of voice, because apparently I am in the way. I am so sorry. I am supposed to be some sort of mind reader, I guess. I am moving out of the way now as slowly as I possibly can. I am doing this and there's nothing you can do about it.
For me, fiction belongs to my inner being, is something essential which defines me - I am a fiction writer in the same way I am a woman, the same way I am dark-haired - it is something essential and structural. It's like an exogenous skeleton that keeps me going. And I don't know how I would manage to live without writing, working with words.
Jesus doesn't say, "The religion founded in my name is the way, the truth, and the life, [and] what people say about me is the way." "Our way of worship, the Christian structure, is not the way," [he would say,] "I am. I am. If you want to know what life is all about, what it's supposed to be, where it's supposed to go, where it's supposed to derive its strength from, don't look at anything people say about me. Don't look at the faith that's been created. Look at my life, which is a life ultimately of sacrificial love."
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