A Quote by Daniel Tosh
If I offend anybody tonight, I apologize. That's not my intention. I'm not going to guess what your personal line of decency is; I cross my own from time to time - it's how I know I still have one.
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It doesn't matter how many people you offend, as long as you're getting your message to your consumers. I say to those people who do not want to offend anybody: You are going to have a very, very difficult time having meaningful advertising.
I have a basic theorem as to how I do my jokes. Growing up, I knew when to cross the line and when not to cross the line. It's the same with my comedy. I know what my audience will take and how much they won't take. I can't give you a formula for it. It's my own personal formula inside my head. Somebody else's might be different.
I want to be careful when I'm breaking down matches because I don't want to offend anybody or knock anybody's work. It took me a long time to get where I was at, so I know how it feels when someone knocks on you.
It's always important to draw a line somewhere in a respectful way where you're still approachable, you're still there for the people and meeting them halfway, but you're not neglecting your own duties and your own time to rejuvenate to be able to do it again.
You live your comedic life close to the edge, you're gonna cross the line and offend people.
I gaze lovingly at "Hilal" a love that is reflected through time or what we imagine to be time, as in a mirror. She was never mine and never will be; that is how it is. We are both creators and creatures, but we are also puppets in God's hands, and there is a line we cannot cross, a line that was drawn for reasons we cannot know. We can approach and even dabble our toes in the river but we are forbidden to plunge in and let ourselves be carried along by the current.
There's nothing wrong with me, and I'm not going to apologize for the amount of time that I spent in two countries and I'm not going to apologize for the fact that I speak two languages and I'm not going to apologize for the fact that I have two versions of my name.
In my experience, writing a novel tends to create its own structure, its own demands, its own language, its own ending. So for much of the period in which I'm writing, I'm waiting to understand what's going to happen next, and how and where it's going to happen. In some cases, fairly early in the process, I do know how a book will end. But most of the time, not at all, and in this particular case, many questions are still unanswered, even though I've been working for months.
Everybody has a line. It doesn't matter how you're dressed onstage or what you say in your songs, that doesn't give anybody the right to invade your personal space.
I know this much: that there is objective time, but also subjective time, the kind you wear on the inside of your wrist, next to where the pulse lies. And this personal time, which is the true time, is measured in your relationship to memory.
I guess what I'm trying to say is that writing is mysterious; you don't ever truly know where it is coming from, so don't edit yourself line by line. Don't get in your own way. Whatever is truly there at the core, that is your voice.
My faith, I mean, that's such a personal aspect that a lot of times, of course it's going to come out through the song. But at the same time, I'm not a religious salesman. I feel like God doesn't really need a salesman, and what these songs are are simply my interactions with this life and learning. I guess the bottom line is the songs are really honest, you know what I mean. That faith is going to come through. If the listener is looking for it, that's definitely a part of it.
I'm a four-time national champion and a two-time Olympian, and no one can take that away from me. So whatever people have to say about me, that's their own problem because I'm freaking proud of what I've done, and I'm not going to apologize for any of it.
As a female and someone who's young, I'm still coming into my own, and I still have struggles. I know how I look; I know what my flaws are - I don't need anybody to tell me that.
Hey Mason, wipe the drool off your face. If you're going to think about me naked, do it on your own time." [...] "This is my time, Hathaway. I'm leading today's session." "Oh yeah?" I retorted. "Huh. Well, I guess this is a good time to think about me naked, then." "It's always a good a time to think about you naked," added someone nearby, breaking the tension further.
Late-night shows are 'Chopped.' Who are your guests tonight? Your guests tonight are veal tongue, coffee grounds and gummy bears. There, make a show ... Make an appetizer that appeals to millions of people. That's what I like. How could you possibly do it? Oh, you bring in your own flavors. Your own house band is another flavor.
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