A Quote by Daniel Tosh

That Asian guy is really good at kicking. Shocking. Someone is pressing 'A' really fast somewhere. — © Daniel Tosh
That Asian guy is really good at kicking. Shocking. Someone is pressing 'A' really fast somewhere.
It's shocking when someone who is really bad thinks they're really good. It's heartbreaking, because singing is such a vulnerable thing to do.
I don't like being compared to other kickers. Kicking, I've always felt, was my weak suit. The only area of kicking I was really proud of was that I was good under pressure. If all I had to do was worry about kicking, I'd have been much more proficient.
It never really mattered to me trying to get somewhere fast because if you get somewhere fast, you probably won't stay there too long.
If a guy's a very good wrestler or a really good boxer or has a really good high kick, you prepare for that. It's the same when you're going to fight someone who talks a lot of crap.
It really helped to have someone whose taste I really trusted who I knew was really smart and a really good writer. Sometimes I find it hard to judge my own work so it was good to have someone who could look at it. It was like, "Oh, she likes it, then it's good."
My prototypical quarterback is a competitive guy that's a winner, somebody that has great athletic instincts, somebody who is very accurate throwing the football, a quick-minded guy who can think fast on his feet and can make decisions quickly, someone who has leadership ability, an understanding of timing and can make really good decisions.
I'm definitely more Asian than a lot of people who have never been to Asia. But by blood and by race, they instantly say I deserve to be Asian. I've worked really hard to be Asian, and I think I'm Asian enough.
As you do on any cable series, if they introduce you as the villain, then you better start working towards making him a really good guy, or if they introduce you as a really good guy, then you better start working towards being the villain. Your character has to go somewhere, or else they become very uninteresting.
Because I'm so in the eye of the hurricane, I don't have a really good perception of what's happening. I'm in a room talking to people, and that's all I know. But sometimes I go out of these rooms - I live in L.A., and every now and then, maybe twice a week, I'll be somewhere, and someone will say, 'Hey, are you the guy that made Moonlight?'
Even if I'm not a big guy, I have good footwork, I'm fast on the court, and I see the ball really early.
I majored in Chinese. I was never really good at Chinese but I really, really benefited from having been exposed to Asian philosophy early in my life.
As an actor of color, I was overlooked at every possible opportunity. I was given roles that were almost not roles. It was, like, Scared Asian Guy. Whether I was a scared Asian guy in front of a computer or a scared Asian guy getting robbed in the grocery store, I always played these pathetic, low-status characters.
Kicking is like a love-hate relationship. When it's going good it's really good. When it's bad, it's really tough. You just have to find the fine line between not getting too high or too low.
You don't really get it from NASCAR that they want you to be the bad guy or the good guy. They'll kind of joke around with you and be like, 'Hey, that was really good this past weekend. You did a great job for us. Ratings were up.'
Sometimes I feel embarrassed because I'll tell the kids if someone is driving really slow or cutting in, I'll say "Bloody Asian drivers." But I feel justified in saying it because I'm Asian.
It's really hard to perfect one aspect of your kicking game when you're spending some of your time kicking with a holder, some of your time kicking off a tee, and some of your time drop-kicking the ball. To be able to concentrate just on my punting responsibilities will do wonders for me.
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