A Quote by Daniel Tosh

Somebody bought me a Snuggie as a joke gift. Haha, the joke's on you, I enjoy it. I toss and turn at night, finally a blanket that's like, 'I'm going to keep you warm.' It's like having a small child with polio keep you in a full nelson - the perfect pressure.
It is like having a blanket that is too small for the bed, you pull the blanket up to keep your chest warm, and your feet stick out. I cannot buy a bigger blanket because the supermarket is closed. But the blanket I have is made of cashmere. So it's good.
I like that we don't have to come out the first 10 minutes and score, you know, with joke, joke, joke. We can open it in a more novel way and keep playing different pranks as we go through the thing.
The U.K. and Europe in general seem to be a lot more patient. The U.S. are expecting 'joke joke joke joke joke joke joke.' They don't actually sit and listen to you.
You know, I liken it to - when you write a joke for somebody else, it's like you - you know, like the Wile E. Coyote dynamite plunger, where he pushes the plunger down and then you see the fuse go then there's an explosion in the distance? That's like writing a joke for somebody. When you tell the joke, you're in the explosion.
I keep on repeating something told to me by an American psychologist: "When you are making a joke about someone and you are the only one to laugh, it is not a joke. It is a joke only for yourself." If people are making a joke they have the right to laugh at me but I will ignore them. Ignoring doesn't mean that you don't understand. You understand it so much that you don't want to react.
When I'm writing columns, it's - all I'm thinking about is jokes, joke, joke, joke, setup, punch line, joke, joke, joke. And I really don't care where it goes.
What you never want to do is have a story that doesn't track emotionally, because then you're going joke to joke and you're going to fatigue the audience. The only thing that's going to string them to the next joke is how successful the previous joke is.
Then when we did the untitled record, we just didn't feel like putting joke stuff on it, so we didn't. It wasn't really a deliberation or a real introspective thing like, "Are we going to joke on this one, are we not going to joke on this one?" We just didn't feel like it on the untitled one, so we didn't.
I have become a giant fan of the testing process, especially with a comedy. I mean, they tell you what's funny. It's almost tailor-made for people who shoot the way we shoot, trying a million different options and versions of things. Because the audience doesn't laugh at a joke, we put in another joke. If they don't laugh at the next joke, we put in another joke. You just keep doing them and you can get the movie to the point where every joke is funny, if you have enough options in the can.
I'm lying in my bed, blanket is warm, this body will never keep me safe from harm. I still feel your hair, black ribbons of coal. Touch my skin to keep me whole. If only you'd come back to me. To feel you at my side, wouldn't need no Mojo Pin to keep me satisfied.
Rattle me out of bed early, set me going, give me as short a time as you like to bolt my meals in, and keep me at it. Keep me always at it, and I'll keep you always at it, you keep somebody else always at it. There you are with the Whole Duty of Man in a commercial country.
If I tell a joke on stage and the crowd laughs for a minute, I stand there for a minute and enjoy them laughing before I go on to the next joke. On TV, if I stand there for a minute while they laugh, I look like an idiot who can't remember the next joke.
I had an awful joke about Auschwitz I drove everybody crazy with that joke. But that joke makes me feel good. You know what "cuit" means? When something is cooked. It's a joke like that: "What are the birds doing when they fly over Auschwitz? 'Cuit! Cuit!'" It's awful, but it's desacralizing. For me, it's good.
Let's hit the joke once and move on to the next joke and just keep it where we have as many jokes per square inch as possible.
I'm a Republican, but if I had my choice of running or having Obama - or somebody, but Obama, even Barack Obama - be a great president, the greatest president ever, I'd be so happy for the country. He doesn't have the capability to be a great president, and the world is laughing. We're like a joke. As a country, we're becoming like a joke. Everybody is ripping us off.
I still don't really know what my style is. I like a lot of different kinds of comedy, I like watching it and I like being inventive and original. That's the problem with doing a longer set - you can't do every joke that you have because some stuff contradicts other stuff. Even when you know that the audience knows that you're joking and it's not true, you still can't do a joke about your family dying and then later talk about your Mom. I mean you want to keep some kind of cohesive order going.
This site uses cookies to ensure you get the best experience. More info...
Got it!