A Quote by Daniel Tosh
Something horrible happens and I try to make it funny. It's really a tortured life. You go to a salsa bar, at your local burrito stand, and you know, you think "how can you make a joke about this?"
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The thing I try to get across to the writers - and I do a lot of writing, too - is that when I do stand-up, nothing I talk about is funny. Everything is really sad and tragic and then I make it funny.
What's cool about Twitter is that you can make a joke about something very of-the-moment or random that I wouldn't be able to joke about in stand-up.
It's funny how you can think you know someone pretty well, and then something happens or they do something that makes you understand that you didn't really know them at all.
I guess my feeling is that if you’re going to make a joke, that’s fine, but you should also sort of stand behind it, you know? A joke should be more than a joke, it should be a point that you’re trying to make.
I guess my feeling is is that if you're going to make a joke, that's fine, but you should also sort of stand behind it, you know? A joke should be more than a joke, it should be a point that you're trying to make.
The best way to make change is to know how something works. If you're going to go build something or change whatever it is, if you don't know how it works and you're trying to go make a change in it, the first thing you're doing is you're spending time figuring out how it works. The same thing happens in organizations.
Sometimes laughing isn't the best judge of what's funny, 'cause I think there's a lot of things that are really funny that don't make you laugh, that don't make you physically, audibly make a noise, but is something that is much more powerful than that.
You either hear the story and you're curious, and you're sort of sympathetic, or you think, "Ugh, how horrible." That's dehumanizing. How about we take that and turn Christine Chubbuck into a person and it's not about the final act, it's about her life. I felt that really strongly, and I felt a sort of deep sympathy with her. It's also why I do what I do. I want to try to make difficult people somehow relatable.
Do something about your life now. You know you are sick and tired of being sick and tired. Don't just think about it, look at it, and complain about it to whoever will listen. Stop conning yourself into being a volunteer victim, or telling the same old story. You are better than that. It's time to stand up for yourself and your dream. This is the one and only life that you have. Don't waste it watching someone's life - on tv, in a movie, a series or reality show. Take your power back and make a move. Live your life on your terms, and create something new in your life. You Deserve!
I usually stalk fans because I think they're really funny on Twitter. They don't know it, but I'll just go through their timelines, and if something is happening in the media, I always read fan accounts instead of the news because they have all the info and make the funniest jokes about it, so that's how I get my gossip - by stalking fans.
I have the advantage of having found out how hard it is to get to really know something. How careful you have to be about checking your experiments. How easy it is to make mistakes and fool yourself. I know what it means to know something.
There used to be such a thing as a sick joke, or laughing at misfortune, because comedy and laughter are a way of coping. And there is a kind of cruelty to it, but you can separate finding something horrible funny, and what you really think of it.
nobody means to get carried away in mediocrity, but it happens, it happens unless you think about everything you do, unless you make every choice the best one you know how to make.
I make work that tries to sort of connect with something really, really familiar. I don't try to make work that's original. I try to make work that's quintessential. That's what I mean about the familiar. It operates with stuff that people already know or information that they already have and I try to just use that. Quintessential means like the perfect minimalist sculptor.
I will make a joke about any of my family members, about me, about my wife, if I really thought that I'm doing it to be funny. If there's some darkness to it, or I think it's ill-willed or mean or not cool, then I won't do it.
People are gonna think that MTV censored me, and they really didn't. I really wanted to try to make a show that didn't rely on offensive, edgy material because I think it was an exercise in trying to write without that. Because I see that as a crutch sometimes and I want to know that I can do something funny and worthwhile without that. And also make a show that my parents would like and that kids could watch with their parents.
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