A Quote by Daniel Tosh

I'm not a good actor, I can play myself and a much gayer version of myself. That's my range. — © Daniel Tosh
I'm not a good actor, I can play myself and a much gayer version of myself. That's my range.
I think actors go along a continuum from Simon Callow down to kind of Ross Kemp, and I like to think of myself as the Ross Kemp of comedy. He's very good in 'East Enders' because he plays a version of himself. I think I can play a version of myself - that's about all I can do.
I don't consider myself a very good actor. I'm not bad, but there's not a lot of range in characterizations for me.
With 'Richard,' I was excited to make this film with such an amazing role for an actor. Play a wide range of emotion and really invest myself in the character.
The only two characters I can play convincingly are myself and a dumber and sweeter version of myself.
The ability to stretch my range into all genres and characters is something I take great pleasure in doing. I thoroughly enjoy it. I consider myself a character actor, though some think of me as a leading man. As an actor, I love shifting gears from character to character, and the more range I can expand, the better.
First of all, I would shoot myself if I ever had to play straight-forward characters that really don't have much of a past. Maybe it's just that I'm not a good enough actor to have to embellish, but I like having these really, really rich roles to play.
I never imagined myself as an actor who would be in films. I always only thought of myself being in a play or a musical.
I never saw myself as a character actor or a lead actor; I've only seen myself as just an actor.
Work with good directors. Without them your play is doomed. At the time of my first play, I thought a good director was someone who liked my play. I was rudely awakened from that fantasy when he directed it as if he loathed it. . . . Work with good actors. A good actor hears the way you (and no one else) write. A good actor makes rewrites easy. A good actor tells you things about your play you didn't know.
Like, that was weird in 'Hamlet 2,' because I played myself there, fully myself, but then I realized, 'Oh, I'm not playing myself. I'm some weird version of myself.' So as an actress, you're always playing something, I don't even know who I am, how could I become me? I don't know what that is.
My dad was an actor, and my older sister is an actress, and so I very much remember thinking, "Well, of course I'll do that as well." But I never imagined myself as an actor who would be in films. I always only thought of myself being in a play or a musical and maybe the odd episode of [U.K. '80s TV drama] Casualty. My backup plan was to do something with children, to start a nursery school or work with underprivileged kids. And I still dream of maybe doing that in some way. I've always got children in my house, always.
You can't get an actor to do something that is beyond his range, so you have to be aware of the range of the actor and, if necessary, alter the part to suit the actor.
I've called myself an actor - I won't say I've been an actor, but I've called myself an actor - since 1989. That's when I moved to Los Angeles.
When I'm a director, I look at myself the actor as a completely different person. It's somebody else up there, an actor playing a role. I keep myself out of it.
I don't know how to play myself. I'm not interested enough in myself. That's just not how I was educated. That's not how I learned to become an actor. Acting is creating a character.
I consider myself a journeyman actor, and I pride myself and look forward to keeping my career choices as diverse as possible because it challenges me as an actor.
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