A Quote by Daniel Tosh

I don't know what's funny and what's not so I test out all of my material in front of audiences. — © Daniel Tosh
I don't know what's funny and what's not so I test out all of my material in front of audiences.
All my TV shows are done live in front of audiences, and all the material I take on the road and travel with them test them for hundreds and hundreds of shows before I shoot them for TV.
As an actor, you know when you've got great material in front of you. When you're working, you think, 'Is this the one? The one that everyone will respond to and be moved by?' You pray that you have told the story well... that your peers will see it and audiences will love it.
When I perform in front of large audiences, I'm much more comfortable, because I've already performed in front of tiny audiences - which is much harder, honestly. The smaller you strip things down, the more you depend on the songs and yourself, as opposed to arrangements.
I know how to be funny to black audiences.
I have worked for YouTube like texting and driving because I was curious to test what's out there and how does it function, can I release something like about texting and driving to very young audiences, at the age where they do their drivers test? And the response was phenomenal, millions of people saw it.
Do you know there is actually a blood test out there now to find out if your kid is gay or not? Yeah, it's an HIV test.
My definition of democracy is - A form and a method of Government whereby revolutionary changes in the social life are brought about without bloodshed. That is the real test. It is perhaps the severest test. But when you are judging the quality of the material you must put it to the severest test.
Everything about starting out in comedy is pride-swallowing, from handing out fliers to bombing in front of audiences.
Audiences of critical thinkers are my favorite kinds of audiences. There are jokes I tell in the show that don't get laughs unless I am in front of an audience of critical thinkers. Put me in front of a crowd of science teachers or astronauts! The guileless aren't our audience - it's the critical thinkers we love.
[In comedy] you never want to leave the actors hanging out to dry. So you need to come up with funny individual stories for each character, and then you do this sort of comedy geometry, weaving them together. Once you've got a funny structure and you know why the scenes are funny, then you get super funny people to say your own lines, say their own lines, say things in their own way, and every scene is a live rewrite in front of the camera.
You learn quite a bit about your film from test screening audiences. With both comedies and movies that are intense, you need to calibrate the film and see how audiences react.
I started out as a folk singer, and kinda got sidetracked playin' honky tonks and such, but I was always a working musician. I didn't want to be Townes Van Zandt or Guy Clark, but I wanted to play in front of their audiences, you know what I mean?
Comedy is learning to be funny, and you learn to be funny in small rooms with young audiences.
Usually, if I think something is really funny, I'm not gonna test it. I'll just test it when I'm onstage.
I used to pray every night: 'Please let me look all right from the front.' I didn't care about real life, but I wanted to look good for theatre audiences - I worried about having a funny nose.
I didn't know if I could be funny on stage or write a joke. But I saw that there are no rules. If you're funny offstage, you can figure out a way to be funny onstage.
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