A Quote by Daniel Wallace

In the land of the dying, sentences go unfinished, you know how they're going to end. — © Daniel Wallace
In the land of the dying, sentences go unfinished, you know how they're going to end.
I don't have a problem believing in God and Jesus. But in Genesis one has to wonder about these sentences that just go on and end without finishing. The thought is unfinished. Where did Adam go? What is he doing? Hello? There has to be some pages missing.
But Sasha who after all had no English blood in her but was from Russia where the sunsets are longer, the dawns less sudden, and sentences often left unfinished from doubt as to how best to end them.
I enjoy life so much I don't want it to end, and dying does worry me. If you've got faith, you believe that you're going to go to a magic land, but unfortunately, I don't have faith.
Sometimes it's great when, you know, you're sitting down to watch a straightforward story, and you know how it's going to go, and you know how it's going to end. That's a fairy tale.
The book works better if I know everything I can about the ending. Not just what happens, but how it happens and what the language is; not just the last sentence, but enough of the sentences surrounding that last sentence to know what the tone of voice is. I imagined it as something almost musical. Then you are writing toward something; you know the sound of your voice at the end of the story. That's how you want to sound in those final sentences: the degree that it is uplifting or not, the degree that it is melancholic or not.
Nobody's bought this land. And no one's going to want it either. It's dying land, lonely land." "Like me, then," I said. "Yes, like you." You chewed the corner of your lip. "You both need saving.
I think that knowing where you're going is important, and it's not like, when Robert says that, it's not like we know what every episode of the next five, four, five, six seasons of the show is going to be. I think Matt Weiner knew how Mad Men was going to end. Vince Gilligan knew how Breaking Bad was going to end. Marc Cherry knew how Desperate Housewives was going to end. Along the way, the process of crafting those stories ... You don't know what the road, what twists and turns that road is going to take to ultimately get you there.
Moreover, a book is not made of sentences laid end to end, but of sentences built, if an image helps, into arcades or domes.
In terms of what's going to actually happen to me in the story, down towards the end of the season, I'm dying to know, but I just don't ask. If it's something that I think will really affect how I play it and it's information I need to know, than I'll ask, for sure.
The thing with film and theater is that you always know the story so you can play certain cues in each scene with the knowledge that you know where the story's going to end and how it's going to go. But on television nobody knows what's going to happen, even the writers.
What is a country? A country is a piece of land surrounded on all sides by boundaries, usually unnatural. Englishmen are dying for England, Americans are dying for America, Germans are dying for Germany, Russians are dying for Russia. There are now fifty or sixty countries fighting in this war. Surely so many countries can't all be worth dying for.
Lots of my dying patients say they grow in bounds and leaps, and finish all the unfinished business. But assisting a suicide is cheating them of these lessons, like taking a student out of school before final exams. That's not love, it's projecting your own unfinished business
I always believed that my work should be unfinished in the sense that I encourage people to add their creativity to it, either conceptually or physically. Back in the 1960s, I was calling for 'Unfinished Music,' number one, and number two, with my artwork - I was taking unfinished work into the gallery. And that's how I was looking at it.
I like to sit down every day and not know where the book is going. I have no idea where the book is going to go or how it's going to end as I'm writing it.
Know what makes a sentence more than a random list, practice constructing sentences and explaining what you have done, and you will know how to make sentences forever and you will know too when what you are writing doesn't make the grade because it has degenerated into a mere pile of discrete items.
A perfect conversation would run much less to brilliant sentences than to unfinished ones.
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