A Quote by Daniel Woodrell

Fading light buttered the ridges until shadows licked them clean and they were lost to nightfall. — © Daniel Woodrell
Fading light buttered the ridges until shadows licked them clean and they were lost to nightfall.
He put my fingertips to his mouth and kissed them. Licked the trace of blood away. Made them clean. Then I knew the truth I had been denying. He made me clean. Dan made me clean and shining and bright. He made me beautiful, and I did not want to lose him.
What the art historians had forgotten is that in Chinese, Japanese, Persian, and Indian art, they never painted shadows. Why did they paint shadows in European art? Shadows are because of optics. Optics need shadows and strong light. Strong light makes the deepest shadows. It took me a few years to realize fully that the art historians didn't grasp that. There are a lot of interesting new things, ideas, pictures.
For human words are like shadows, and shadows are incapable of explaining light and between shadow and light there is the opaque body from which words are born.
As light fades and the shadows deepen, all petty and exacting details vanish, everything trivial disappears, and I see things as they are in great strong masses: the buttons are lost, but the sitter remains; the sitter is lost, but the shadow remains; the shadow is lost, but the picture remains. And that, night cannot efface from the painter's imagination.
What if we're all like that? Like ghosts ... in someone's mind ... gradually fading ... fading ... until finally ... one day ... we just disappear ... drift into nothingness. Wouldn't that be sad?
I am not yours, nor lost in you, not lost, although I long to be. Lost as a candle lit at noon, lost as a snowflake in the sea. You love me, and I find you still a spirit beautiful and bright, yet I am I, who long to be lost as a light is lost in light.
When autumn shadows throw their patterns across the land, they are not the images of fragile, dying leaves, not the bared arms of lofty elms, not shadows of a fading summer; but swinging shapes as of books upon a strap, of round and square boxes held under an arm, of hurrying little people heading towards the nearest school.
Even in art, there is no light without shadows, and no shadows are cast without some light. Even the shadow of Adolf Hitler is accompanied by some light.
The redness was going out of the light now, the remains of the day were a fading pink, the color of wild roses.
Thin clouds form, and the shadows lengthen out. They have no breadth, as summer shadows have; there are no leaves on the trees or fat clouds in the sky to make them thick. They are gaunt, mean shadows that bite the ground like teeth. As the sun nears the horizon, its benevolent yellow begins to deepen, to become infected, until it glares an angry inflamed orange. It throws a variegated glow over the horizon.
You choose to shine with the light of your own divinity, or you hide it with the shadows you create in your mind. You must choose where to live -in the light or the shadows. The most powerful tool you have is your power of choice.
The thing about shadows is that they're not all darkness. You need to have light to have shadows. So just look for it.
Silence is like nightfall. Objects are lost in it insensibly.
I was born to a Likud which had light; there were no shadows.
In ancient shadows and twilightsWhere childhood had strayed,The world's great sorrows were bornAnd its heroes were made.In the lost boyhood of JudasChrist was betrayed.
All the way out I listen to the car AM radio, bad lyrics of trailer park love, gin and tonic love, strobe light love, lost and found love, lost and found and lost love, lost and lost and lost love—some people were having no luck at all. The DJ sounds quick and smooth and after-shaved, the rest of the world a mess by comparison.
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