A Quote by Daniel Woodrell
It's not always to the benefit of the story to have it so preordained.
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Sometimes you wonder, I mean really wonder. I know we make our own reality, and we always have a choice, but how much is preordained? Is there always a fork in the road, and are there two preordained paths that are equally preordained? There could be hundreds of paths where one could go this way or that way -- there's a chance, and it's very strange sometimes.
I don't just look at things as an actor. I've also written several films, so I look at it as a storyteller and I know if something worked and should have been in there for the benefit of the story and the benefit of the character.
My job is to help the functioning of the story, not to draw attention to myself, but to make my characters function within the story, to work for the benefit of the story, to make the whole thing work.
You always think in terms of customer benefit. You always think, "How could I really benefit people at such a high level that they would love to buy my product or service and recommend it to others?"
When people insist, as so many of them do, that of course we'll overcome the limits to growth and every other obstacle to our allegedly preordained destiny out there among the stars, all that means is that they have a single story wedged into their imagination so tightly that mere reality can't shake it loose.
I always tell employees: 'The group's benefit is more important than your personal benefit.'
I always tell employees: The group's benefit is more important than your personal benefit.
If you're a certain type of actor, then eventually stepping into a director's shoes is a natural transition. I've always been the actor who's very focused on the narrative, where my character is in the story, and how I can benefit the story. I've always had a technical aspect of what the lens is, how the camera is going to move, how I can feed the information the director applies within that move. If you're that type of actor, narrative-based, technically proficient, the next step is actually not that far.
What we call 'the news' always has tried to tell a story, and it's always told the story it wanted or, put most positively, whatever story it believed needed telling.
The story you envision as you start out is always a great story; when the facts turn out to be different from, or more complex than, what you expected, your first reaction is always disappointment. That's when you must fight the urge to bend the story to your preconceived notions. First, it's dishonest. And second, in the end, the truth is always the best story.
It's only a story, you say. So it is, and the rest of life with it - creation story, love story, horror, crime, the strange story of you and I. The alphabet of my DNA shapes certain words, but the story is not told. I have to tell it myself. What is it that I have to tell myself again and again? That there is always a new beginning, a different end. I can change the story. I am the story. Begin.
A great benefit of having parents in the same profession is if I do have a terrible audition story, I can call them up, and we can laugh about it because they get it. That's always been a great therapeutic outlet.
I keep telling this story - different people, different places, different times - but always you, always me, always this story, because a story is a tight rope between two worlds.
But the truth is the meritocracy is a lie. Those born into wealth and privilege will always be able to game the system for their own benefit and their children's own benefit.
The Work always leaves you with less of a story.
Who would you be without your story?
You never know until you inquire.
There is no story that is you or that leads to you.
Every story leads away from you.
Turn it around; undo it.
You are what exists before all stories.
You are what remains when the story is understood.
There's always a story. It's all stories, really. The sun coming up every day is a story. Everything's got a story in it. Change the story, change the world.
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